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The Monday Morning Memo

“Rikki Don’t Lose That Number” sounds like a song about a guy who is hung up on a girl, but it’s actually about a drug dealer trying to push heroin to a skittish new client. The tip-off is the line “Slow Hand Row.” Eric Clapton, a notorious heroin user, earned the nickname ‘Slow Hand’ back in the late 60’s. Back when this song was written, ‘driving on Slow Hand Row’ was a code phrase for shooting up heroin. Likewise, “I have a friend in town, he’s heard your name” is code for, “I know you’re not a narc.”

We hear you’re leavin’, that’s okay.
I thought our little wild time had just begun.
I guessed you kind of scared yourself, you turn and run.
But if you have a change of heart
Rikki, don’t lose that number,
You don’t wanna call nobody else.
Send it off in a letter to yourself.
Rikki, don’t lose that number
It’s the only one you own
You might use it if you feel better
When you get home.

I have a friend in town, he’s heard your name
We can go out driving on Slow Hand Row.
We could stay inside and play games, I don’t know,
And you could have a change of heart.
Rikki, don’t lose that number,
You don’t wanna call nobody else.
Send it off in a letter to yourself.
Rikki, don’t lose that number,
It’s the only one you own.
You might use it if you feel better
When you get home

You tell yourself you’re not my kind
But you don’t even know your mind
And you could have a change of heart.
Rikki, don’t lose that number
You don’t wanna call nobody else
Send it off in a letter to yourself
Rikki, don’t lose that number
It’s the only one you own
You might use it if you feel better

When you get home

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Random Quote:

“The color throughout was black or ashen, and came to a point in the ruins of the castle of Luc, which pricked up impudently from below my feet, carrying on a pinnacle a tall white statue of Our Lady, which, I heard with interest, weighed fifty quintals, and was to be dedicated on the 6th of October. Through this sorry landscape trickled the Allier and a tributary of nearly equal size, which came down to join it through a broad nude valley in Vivarais. The weather had somewhat lightened, and the clouds massed in squadron; but the fierce wind still hunted them through heaven, and cast great ungainly splashes of sunlight and shadow over the scene.

Luc itself was a straggling double file of houses wedged between hill and river. It had no beauty, nor was there any notable feature, save the one castle overhead with its fifty quintals of brand-new Madonna.”

- Robert Louis Stevenson, Travels with a Donkey in the Cevennes (1878) p. 52

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