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The Monday Morning Memo

   “Bound”
        by Brody Bond


I wanted to experiment.

I wanted to investigate my mind.

I think therefore I am? I guess so. But we are not just our minds. We are our bodies too. And anything I want for my mind, I need my body’s help to achieve. My body is my mind’s advocate.

My body must now become a necessary conspirator to bring my mind to the dis-place where I know I can observe myself outside of myself. If that’s even possible, we’ll find out.

I’ve learned that much of what we call irony could often just be called fitting. As such, all irony has become a symptom of truth for me.

So, I’ve decided to turn my body into an adversary for my experience. Ironically, fittingly, my body would be my advocate by being my adversary. My senses disrupted, my perception untrusted.

I set out. Closed my door for the last time. Locked it. Threw the key in a storm drain.

Fasting and solitude and silence and secrecy. This is what’s ahead. These are my means, and I can no longer choose them. I am bound by them. Choice is dead.

Can one experience a primal existence in a non-primal context?

And what exactly is a relationship, anyway?

Cities clarify and distort everything I want to hold dear. Place. Position. Economy. Community. The way things ought to be, the way things are, the way things can be, and the way things will be. Hope and fear and freedom and duty, all defined and redefined by this city perpetually. Oh, the names we give things!

I would now be a prisoner to this city. I will absorb it. Be absorbed by it.

Remove insulation. Remove history. Kill expectation. Kill the story. Wisdom comes only by fascination, and there will always be temptation. And I would feel it. All.

If scarcity creates value, I would be rich. Or die trying.

My name is Eve. This is the start.

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Random Quote:

“The main idea of the novel is to present a positively beautiful man. This is the most difficult subject in the world, especially as it is now. All writers, not just our, but European writers, too, have always failed whenever they attempted a portrait of the positively beautiful. Because the task is so infinite. The beautiful is an ideal, but both our ideal and that of civilized Europe are still far from being shaped. There is only one positively beautiful person in the world, Christ, and the phenomenon of this limitlessly, infinitely beautiful person is an infinite miracle in itself. (The whole Gospel according to John is about that: for him the whole miracle is only in the incarnation, in the manifestation of the beautiful.) But I am going too far. I’d only mention that of all the beautiful individuals in Christian literature, one stands out as the most perfect, Don Quixote. But he is beautiful only because he is ridiculous. Dickens’ Mr. Pickwick (who is, as a creative idea, infinitely weaker than Don Quixote but still gigantic) is also ridiculous but that is all he has to captivate us. Wherever compassion toward ridiculed and ingenious beauty is presented, the reader’s sympathy is aroused. The mystery of humor lies in this excitation of compassion.”

- Dostoevsky, January 13, 1868, in a letter to his favorite young niece, Sophia Ivanova. From F.M. Dostoevsky, Polnoe sobranie sochinenii, Vol. 28-2 (Leningrad: Nauka, 1985), p. 251.

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