• Home
  • Memo
    • Past Memo Archives
    • Podcast (iTunes)
    • RSS Feed
  • Roy H. Williams
    • Private Consulting
    • Public Speaking
    • Pendulum_Free_PDF
    • Sundown in Muskogee
    • Destinae, the Free the Beagle trilogy
    • People Stories
    • Stuff Roy Said
      • The Other Kind of Advertising
        • Business Personality Disorder PDF Download
        • The 10 Most Common Mistakes in Marketing
          • How to Build a Bridge to Millennials_PDF
          • The Secret of Customer Loyalty and Not Having to Discount
          • Roy’s Politics
    • Steinbeck’s Unfinished Quixote
  • Wizard of Ads Partners
  • Archives
  • More…
    • Steinbeck, Quixote and Me_Cervantes Society
    • Rabbit Hole
    • American Small Business Institute
    • How to Get and Hold Attention downloadable PDF
    • Wizard Academy
    • What’s the deal with
      Don Quixote?
    • Quixote Wasn’t Crazy
      • Privacy Policy
      • Will You Donate A Penny A Wedding to Bring Joy to People in Love?

The Monday Morning Memo

Making Things Believable

January 12, 2015

| Download
https://podcasts.captivate.fm/media/d811a168-e59d-4e49-845c-4ac1437416bf/MMM150112-MakingBelievable.mp3

DaVinciHouse

Although he lived more than 500 years ago, Leonardo da Vinci drew pictures of machines that would not be invented for more than 400 years. His paintings of the Mona Lisa, The Last Supper, and the Vitruvian Man are perhaps the most widely recognized images in the world.

WIKIPEDIA says Leonardo “was an Italian painter, sculptor, architect, musician, mathematician, engineer, inventor, anatomist, geologist, cartographer, botanist, and writer. He is widely considered to be one of the greatest polymaths of all time and perhaps the most diversely talented person ever to have lived.”

“Leonardo da Vinci” is an idea that is larger-than-life in our minds. But when I show you a photograph of the house in which he died, he becomes more of an actual human being.

That photo of the house is what I call “a reality hook,” a point of contact that connects the world of abstract imagination to the world of concrete fact.

You can buy a print of the Mona Lisa on Amazon.com for less than ten dollars and the image will be identical to the original. But the value of the original is beyond estimation because Leonardo da Vinci actually touched it.

An original work of art gives you a point of contact with the artist.
An historical artifact gives you a point of contact with a specific moment in time.
Understand this, and you understand the heart of every collector.

Just as Leonardo da Vinci became more “real” when you saw the house in which he died, he comes into chronological focus when I tell you that Ferdinand Magellan, Christopher Columbus and King Henry VIII shared his lifetime. Leonardo becomes gut-wrenchingly real when I tell you that his diaries speak of a “gang of four” that raped him repeatedly when he was a boy.

BAM. Reality hook.

Stories and descriptions become more believable when you give them context.

There are four ways to create reality hooks:

  1. Connect to something the reader/listener has already experienced.
    “Have you ever bought a car and then began seeing cars like yours everywhere you went?”
  2. Use terms of description that are specific and highly visual; shapes, colors, and the names of familiar things. “A man pulling radishes pointed my way with a radish.”
  3. Include details that can be independently confirmed. These bits that can be confirmed lend credibility to those parts of your story that cannot be confirmed.  “There’s a restaurant in Austin at 4th and Colorado called Sullivan’s. It was there that I met Kevin Spacey and Robert Duvall.”
  4. Make logical sense. People are quick to believe things that seem correct, even when those things are not true. “If your advertising isn’t working, it’s because you’re reaching the wrong people.”

Later this morning (Monday, January 12, 2015 at 11AM CST) I’ll spend the better part of an hour presenting examples of each of the 4 categories of reality hooks and talking about when and how to use them.

Reality hooks are the hammer, screwdriver, pliers and duct tape of an ad writer. You can use them to fix practically anything.

I really should have told you about today’s webcast a week ago, but it didn’t occur to me.

Sorry about that.

Here’s how I’ll make it up to you: the next time you come to a class at Wizard Academy, tell Vice-Chancellor Whittington that you’d like to see my examples of reality hooks and we’ll figure out a way to make that happen for you (and anyone else in your class that wants to join you.)

2015 is going to be a year unlike any other.

Hang on tight.

Roy H. Williams

PS – After he previewed today’s memo, Sean Taylor said he could capture the webcast as a video stream and make the recording accessible to new subscribers. Sean is so smart. But we’ll still honor my original offer to share it with academy students when they’re on campus. – RHW

RomeoBeagle_ThumbDa Vinci and the 40 Answers is a step-by-step study of TRIZ, the analytical tool of Genrich Altschuller that’s blowing the minds of engineers worldwide. The 40 answers apply to everything. This class is taught only once a year and it sells out early. This year it will be in October. Most will wait until summer to register and learn, too late, that all the rooms in Spence Manor and Engelbrecht House were reserved by people like you who signed up in January.

Bonnie_thumbBonnie Marcus says talented women often fall behind in the world of business because they haven’t mastered the rules of networking, office politics, and self-promotion. Listen in at MondayMorningRadio.com as Bonnie tells rambunctious Rotbart what women can do to get ahead and stay ahead in today’s competitive workplace. Men will especially want to hear what Bonnie has to say.  If Bonnie’s right, your job is on the line.

Yeah, I’m just stirring the pot. Heh, heh, heh. – Indiana Beagle

Email Newsletter

Sign up to receive the Monday Morning Memo in your inbox!

Download the PDF "Dictionary of the Cognoscenti of Wizard Academy"

Random Quote:

“Laurence Arne-Sayles began with the idea that the Ancients had a different way of relating to the world, that they experienced it as something that interacted with them. When they observed the world, the world observed them back. If, for example, they traveled in a boat on a river, then the river was in some way aware of carrying them on its back and had in fact agreed to it. When they looked up to the stars, the constellations were not simply patterns, enabling them to organise what they saw, they were vehicles of meaning, a never-ending flow of information. The world was constantly speaking to ancient man.”

“All of this was more or less within the bounds of conventional philosophical history, but where Arne-Sayles diverged from his peers was in his insistence that this dialogue between the Ancients and the world was not simply something that happened in their heads; it was something that happened in the actual world. The way the Ancients perceived the world was the way the world truly was. This gave them extraordinary influence and power. Reality was not only capable of taking part in a dialogue – intelligible and articulate –  it was also persuadable. Nature was willing to bend to men’s desires, to lend them its attributes. Seas could be parted, men could be turned into birds and fly away, or into foxes and hide in dark woods, castles could be made out of clouds.”

“Eventually, the Ancients ceased to speak and listen to the World. When this happened the World did not simply fall silent, it changed. Those aspects of the world that had been in constant communication with men – whether you called them energies, powers, spirits, angels, or demons – no longer had a place or a reason to stay and so they departed. There was in Arne-Sayles’s view, an actual, real disenchantment.”

- – Susanna Clarke, Piranesi, p. 147-148. It seems to me that Anthony Doerr is the only world builder who constructs alternate realities in a manner that is similar to Susanna Clarke. – Roy H. Williams

The Wizard Trilogy

The Wizard Trilogy

More Information

  • Privacy Policy
  • Wizard Academy
  • Wizard Academy Press

Contact Us

512.295.5700
corrine@wizardofads.com

Address

16221 Crystal Hills Drive
Austin, TX 78737
512.295.5700

The MondayMorningMemo© of Roy H. Williams, The Wizard of Ads®