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The Monday Morning Memo

In What Direction Adventure?
Part Two of Living for Real

StGeorge_Beagle_Tile_780

You can choose a dragon
or you can wait until a dragon chooses you,
but every happy person fights one.

Our dragons give us purpose.

Our dragons give us adventure.

The problem with adventure is that we seldom realize how much fun we’re having until it’s over.

When you’re having an adventure, you wish you were safe at home. But when you’re safe at home you wish you were having an adventure.

Challenge and reward and danger – the possibility of a negative outcome – are essential elements of adventure.

The idle rich are bored because pleasure is no substitute for adventure.

St. George must forever kill the dragon and the dragon must forever be killed, because if the dragon were ever finally killed, there would be nothing left but a lonely man looking for something to do.”
– John Steinbeck (1961)

Can you name your dragon, the one you are trying to slay? If you can’t, let me tell you how to find him. Look in the darkness toward your personal north star – your impossible dream – and take a series of steps in that direction.

Keep walking. Keep your eye on that star. Your dragon will soon appear.

Fairy tales are more than true; not because they tell us that dragons exist, but because they tell us that dragons can be beaten.”
– G.K. Chesterton (1909)

Video games and movies and fiction books are surrogate adventures.
Television shows – including the news – are surrogate adventures.
Extramarital affairs are surrogate adventures.
Gambling – including the stock market – is a surrogate adventure.

Living for real is an actual adventure.

Living for real means choosing to make a difference.
Choosing to do a kindness for a stranger.
Choosing to encourage a friend.
Choosing to right a wrong.
Choosing to apologize.

Run unafraid
toward the dragon
that can never be slain.

Carpe diem.

Roy H. Williams

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Random Quote:

“When you notice a commonality between two or more things, Seinfeld explains, “You say, ‘Oh there’s something there.’ And now we make what’s called a charm bracelet: You take these things and you find a way to associate them.” “So that’s the process: I’m thinking about this [one] thing and then remember this [other] thing, and then you go, ‘Oh there’s something there—let me connect those 2 things.'”

Takeaway 1: Whether it’s in a notebook like Seinfeld, on notecards, in Apple Notes or a Notion database—many great artists have a habit of capturing the interesting thoughts or ideas they come across.

The comedian George Carlin said his capture habit started because… “I had a boss in radio when I was 18 years old, and my boss told me to write down every idea I get even if I can’t use it at the time…and have a system for filing it away—because a good idea is of no use to you unless you can find it…” A lot of creativity, Carlin said, “is discovery. A lot of things are lying around waiting to be discovered and that’s our job is to just notice them and bring them to life.” That’s what Seinfeld did: he noticed the various contexts in which people whisper and brought them to life.

Takeaway 2: The great fantasy and science fiction writer Brandon Sanderson says, “The way that human creativity works is by combination. That’s what we’re really good at. We don’t come up with a completely new creature. We put a horn on a horse and go, ‘Look at that, that’s cool.’ That’s how we create on a fundamental level.”

‘Creativity equals connecting previously unrelated experiences and insights that others don’t see.’ – Steve Jobs”

- Billy Oppenheimer, on Twitter

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