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The Monday Morning Memo

Handstand_Jurgen_Schadeberg_780Handstand, by Jürgen Schadeberg, is one of those photographs which are dedicated entirely to the present moment, but also transcend that moment with the sheer force of their symbolism. A young man is balancing dangerously on the balustrade of Hamburg’s “Michel” church tower, slick with rain, and below him is a sea of houses with wartime bomb craters still visible in 1948.

Schadeberg took the photograph when he was only seventeen. The high-spirited acrobat was Hans Prignitz, a friend of Schadeberg’s who toured through Europe as a trapeze artist with his brother. For a split second, the balancing act between youthful exuberance and joie de vivre wrings a moment of lightness from history – before gravity pulls the acrobat back into the dejection of post-war Germany. – LiveAuctioneers.com

This copy of the photo sold for more than $3,000 at an auction in Vienna, Austria, in 2014.

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“Nor is it merely that we can discern in Christ that close union of personality with perfection which forms the real distinction between the classical and romantic movement in life, but the very basis of his nature was the same as that of the nature of the artist—an intense and flamelike imagination.  He realised in the entire sphere of human relations that imaginative sympathy which in the sphere of Art is the sole secret of creation.  He understood the leprosy of the leper, the darkness of the blind, the fierce misery of those who live for pleasure, the strange poverty of the rich.
“

- Oscar Wilde, De Profundis

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