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Monday Morning Memo

In July 2020 Wendell Berry, a Kentuckian, sued the University of Kentucky when they announced they were going to remove this 1934 mural because it was racially offensive. Read the quotes from Professor Berry below, then try to figure out why he wanted the mural to remain. I have a theory, but I would love to hear yours. Email me at Indy@wizardofads.com

On February 10, 1968, Berry delivered “A Statement Against the War in Vietnam” during the Kentucky Conference on the War and the Draft at the University of Kentucky in Lexington:

“We seek to preserve peace by fighting a war, or to advance freedom by subsidizing dictatorships, or to ‘win the hearts and minds of the people’ by poisoning their crops and burning their villages and confining them in concentration camps; we seek to uphold the ‘truth’ of our cause with lies, or to answer conscientious dissent with threats and slurs and intimidations…”

Nine years later, he wrote this:

“Today, the most numerous heirs of the farmers of Lexington and Concord are the little groups scattered all over the country whose names begin with ‘Save’; Save Our Land, Save the Valley, Save Our Mountains, Save Our Streams, Save Our Farmland. As so often before, these are designated victims — people without official sanction, often without official friends, who are struggling to preserve their places, their values, and their lives as they know them and prefer to live them against the agencies of their own government which are using their own tax moneys against them.”

– Wendell Berry, Unsettling America, (1977)

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Random Quote:

“On the pleasant shore of the French Riviera, about half way between Marseilles and the Italian border, stands a large, proud, rose-colored hotel. Deferential palms cool its flushed façade, and before it stretches a short dazzling beach. Lately it has become a summer resort of notable and fashionable people; a decade ago it was almost deserted after its English clientele went North in April.

The hotel and its bright tan prayer rug of a beach were one. In the early morning the distant image of Cannes, the pink and cream of old fortifications, the purple alps that bounded Italy, were cast across the water and lay quavering in the ripples and rings sent up by sea-plants through the clear shallows. Before eight a man came down to the beach in a blue bathrobe and with much preliminary application to his person of the chilly water, and much grunting and loud breathing, floundered a minute in the sea. When he had gone, beach and bay were quiet for an hour. Merchantmen crawled westward on the horizon; bus boys shouted in the hotel court; the dew dried upon the pines.”

- F. Scott Fitzgerald, Tender Is the Night, ch. 1

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