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The Monday Morning Memo

The Thomas Jefferson Encyclopedia at Monticello.org says,

“Don Quixote was one of the few works of fiction that Thomas Jefferson was clearly partial to. He used the text in its original language to learn Spanish, and had his children do the same. Jefferson owned a number of different editions over his lifetime.”

Monticello.org also lists 18 pieces of Jefferson’s personal correspondence in which Quixote is mentioned during the 51 years between 1771 and 1822.

When a person repeatedly speaks and writes about Don Quixote for 51 years, I think we can safely assume the book had a huge impact on that person.

NOTE FROM INDY– Tobin Mueller, in the video below, is a miraculously good arranger and I have heard some of his other stuff, too, so I know he is a genius composer, but his singing is merely adequate, so forgive that in advance, okay? I think Tobin recorded this at home, probably so he would have some documentation of his arrangement of the song. The melancholy of his interpretation makes it my personal favorite. When I found it on YouTube, it had only 310 views. What a pity!
– Indy Beagle

“My take on this song differs from the triumphant showstopper performed on stage. I sing from the point of view of someone who knows the dream is impossible, but perserveres nonethless. Please pay special attention to the piano. I hope it speaks for itself.”
– Tobin Mueller

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Random Quote:

“Magic realism, chiefly Latin-American narrative strategy that is characterized by the matter-of-fact inclusion of fantastic or mythical elements into seemingly realistic fiction. Although this strategy is known in the literature of many cultures in many ages, the term magic realism is a relatively recent designation, first applied in the 1940s by Cuban novelist Alejo Carpentier, who recognized this characteristic in much Latin-American literature. Some scholars have posited that magic realism is a natural outcome of postcolonial writing, which must make sense of at least two separate realities—the reality of the conquerors as well as that of the conquered. Prominent among the Latin-American magic realists are the Colombian Gabriel García Márquez, the Brazilian Jorge Amado, the Argentines Jorge Luis Borges and Julio Cortazar, and the Chilean Isabel Allende.

 “

- The Editors of Encyclopædia Britannica

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