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Monday Morning Memo

Waters of March

A stick, a stone, it’s the end of the road
It’s the rest of a stump, it’s a little alone
It’s a sliver of glass, it is life, it’s the sun
It is night, it is death, it’s a trap, it’s a gun

The oak when it blooms, a fox in the brush
The knot of the wood, the song of a thrush
The wood of the wind, a cliff, a fall
A scratch, a lump, it is nothing at all

It’s the wind blowing free, it’s the end of a slope
It’s a beam, it’s a void, it’s a hunch, it’s a hope
And the riverbank talks of the Waters of March
It’s the end of the strain, it’s the joy in your heart

The foot, the ground, the flesh and the bone
The beat of the road, a sling-shot stone
A truckload of bricks in the soft morning light
The shot of a gun in the dead of the night
A mile, a must, a thrust, a bump
It’s a girl, it’s a rhyme, it’s a cold, it’s the mumps
The plan of the house, the body in bed
And the car that got stuck, it’s the mud, it’s the mud

Afloat, adrift, a flight, a wing
A cock, a quail, the promise of spring
And the riverbank talks of the Waters of March
It’s the promise of life, it’s the joy in your heart

A point, a grain, a bee, a bite
A blink, a buzzard, a sudden stroke of night
A pin, a needle, a sting, a pain
A snail, a riddle, a wasp, a stain
A snake, a stick, it is John, it is Joe
A fish, a flash, a silvery glow
And the riverbank talks of the Waters of March
It’s the promise of life in your heart, in your heart

A stick, a stone, the end of the load
The rest of a stump, a lonesome road
A sliver of glass, a life, the sun
A night, a death, the end of the run
And the riverbank talks of the Waters of March
It’s the end of all strain, it’s the joy in your heart

Songwriter: Antonio Carlos Jobim

“A lecherous sunrise flaunted itself over a flatulent sea, ripping the obsidian bodice of night asunder with its rapacious fingers of gold, thus exposing her dusky bosom to the dawn’s ogling stare.“
– Stu Duval, Auckland, New Zealand

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Random Quote:

“

She says, ‘There’s universality in the specific.’

and then she recites a deeply unpleasant poem by Eva H.D. called Bonedog. David Fear in Rolling Stone magazine said the poem is about ‘the way regrets have a way of eclipsing the bright spots of a life.’

It’s an eviscerating poem. If you’re not unhappy, it will make you unhappy. I suggest you do not keep reading. – Indy Beagle

BONEDOG

Coming home is terrible whether the dogs lick your face or not; whether you have a wife
or just a wife-shaped loneliness waiting for you. Coming home is terribly lonely, so that you think of the oppressive barometric pressure back where you have just come from with fondness, because everything’s worse once you’re home.

You think of the vermin clinging to the grass stalks, long hours on the road, roadside assistance and ice creams, and the peculiar shapes of certain clouds and silences with longing because you did not want to return. Coming home is just awful.

And the home-style silences and clouds contribute to nothing but the general malaise. Clouds, such as they are, are in fact suspect, and made from a different material than those you left behind. You yourself were cut from a different cloudy cloth, returned, remaindered, ill-met by moonlight, unhappy to be back, slack in all the wrong spots, seamy suit of clothes dishrag-ratty, worn.

You return home moon-landed, foreign; the Earth’s gravitational pull an effort now redoubled,
dragging your shoelaces loose and your shoulders etching deeper the stanza of worry on your forehead. You return home deepened, a parched well linked to tomorrow by a frail strand of…

Anyway . . .

You sigh into the onslaught of identical days. One might as well, at a time . . .

Well . . .
Anyway . . .
You’re back.

The sun goes up and down like a tired whore, the weather immobile like a broken limb while you just keep getting older. Nothing moves but the shifting tides of salt in your body. Your vision blears. You carry your weather with you, the big blue whale, a skeletal darkness.

You come back with X-ray vision. Your eyes have become a hunger. You come home with your mutant gifts to a house of bone. Everything you see now, all of it: bone.”

- Young Woman, in the movie "I'm Thinking About Ending Things."

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