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Monday Morning Memo

Listen to the examples in the audio players below. You will hear the same song played two different ways. As you listen, think about each version and how it makes you feel.

Did you notice a difference between these two versions of the French folk tune “Frère Jacques”? Chances are the first version struck you as kind of snappy and happy. The second probably sounded all doomy and gloomy.

What changed? The first version was played in what is called a major key. The second version used a minor key. Using different keys is one way composers try to build certain feelings into their music. And for people who grow up listening to Western music—styles of music that started in Europe—minor keys appear to have special powers to give music a sad sound.

Q: What is the saddest interval in music?

A: The minor third is an interval, or distance, between two musical notes that suggests sadness to most listeners.

– The Kennedy Center

(FROM: Your Brain on Music: Tearjerkers Putting the “Sad” in Sad Songs)

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Random Quote:

“Once I was lucky enough to take a class with the great clown teacher Giovanni Fusetti and one of the things that he talked about was the ancient idea of a hero. In the Greek myths, humans were subject to massive and unknown forces outside of their control. The whims of the gods – fickle gods – the gods of wind, waves and war, of luck, of love, of age and death. And from up on Mount Olympus, humans, humans look like little ants in the face of all these things. Giovanni said that despite these unknowns the hero pushes, pushes up against all these forces, fiercely pushes, shoulders back, despite the knowledge that he can’t win, that he will die in the end. The clown on the other hand, celebrates the falling, the failure, the absurdity of skipping along the bottom, the absurdity of trying at all…
“

- Ze Frank, Unfair, June 22, 2012

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