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The Monday Morning Memo

I Did Not Make It Up

Dreamthorp, a remembrance of his little village in Scotland, was written by Alexander Smith in the same year Abraham Lincoln penned the Gettyburg Address. Here is the passage from which Bradbury lifted the quotation:

“From the little height where I am now sitting, I see it beneath me. Nothing could be more peaceful. The wind and the birds fly over it. A passing sunbeam makes brilliant a white gable-end, and brings out the colours of the blossomed apple-tree beyond, and disappears. I see figures in the street, but hear them not. The hands on the church clock seem always pointing to one hour. Time has fallen asleep in the afternoon sunshine. I make a frame of my fingers, and look at my picture. On the walls of the next Academy’s Exhibition will hang nothing half so beautiful!”

“My village is, I think, a special favourite of summer’s. Every window-sill in it she touches with colour and fragrance; everywhere she wakens the drowsy murmurs of the hives; every place she scents with apple-blossom. Traces of her hand are to be seen on the weir beside the ruined mill; and even the canal, along which the barges come and go, has a great white water-lily asleep on its olive-coloured face. Never was velvet on a monarch’s robe so gorgeous as the green mosses that beruff* the roofs of farm and cottage, when the sunbeam slants on them and goes.”

* This is an abbreviant, I think, of beruffle.

Until next week,

Aroo to you.

Indiana Beagle

 

 

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Random Quote:

“

THERE IS NO WORD

There isn’t a word for walking out of the grocery store with a gallon jug of milk in a plastic sack that should have been bagged in double layers—so that before you are even out the door you feel the weight of the jug dragging the bag down, stretching the thin plastic handles longer and longer and you know it’s only a matter of time until the bottom suddenly splits.

There is no single, unimpeachable word for that vague sensation of something moving away from you as it exceeds its elastic capacity—which is too bad, because that is the word I would like to use to describe standing on the street chatting with an old friend as the awareness grows in me that he is no longer a friend, but only an acquaintance, a person with whom I never made the effort—until this moment, when as we say goodbye I think we share a feeling of relief, a recognition that we have reached the end of a pretense, though to tell the truth what I already am thinking about is my gratitude for language—how it will stretch just so much and no farther; how there are some holes it will not cover up; how it will move, if not inside, then around the circumference of almost anything—how, over the years, it has given me back all the hours and days, all the plodding love and faith, all the misunderstandings and secrets I have willingly poured into it.

“

- Tony Hoagland, “There is No Word,” Application for Release from the Dream (2015)

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