Now that you’ve seen the third face clearly, let me give you a quick decription of the other three faces. Face One is described above. On this page and each of the next 2, try to think of book, television or movie characters who seem to be aligned with that particular face of the anima. This shouldn’t be difficult at all because the anima is essential to storytelling. The bigger the fictional character, the more easily identified the anima upon which the character is based. Real women, of course, are much more complex.
The Terrible Mother, straight up, in Mommie, Dearest (1981)