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“With Sinatra, public and private seemed to merge, and the result was a disturbing ambiguity. Yes, he had a wife and children and a house; but in the music he professed a corrosive emptiness, an almost grieving personal unhappiness. The risk attached to his kind of singing was that it promised authenticity of emotion instead of its blithe dismissal or the empty technique of the virtuoso. His singing demanded to be felt, not admired. It always revealed more than it concealed.”

- Pete Hamill, Why Sinatra Matters, p.130

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