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The Monday Morning Memo

Before we had Star Wars, we had Star Trek.
And back in that day, long ago, Leonard Nimoy did a thing that he has
often wished he could undo. But undoing isn’t possible, not even when
you carry a light saber. Or wear plastic ears. Or sing really painfully.
This magical moment brought to you by Cognoscenti Rich Carr.
In other words, don’t blame me.

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Download the PDF "Dictionary of the Cognoscenti of Wizard Academy"

Random Quote:

“

Dostoevsky, on January 13, 1868, in a letter from Geneva confided to his favorite young niece, Sophia Ivanova, how immensely difficult it was to realize his idea for a new novel. He wrote:

‘The main idea of the novel is to present a positively beautiful man. This is the most difficult subject in the world, especially as it is now. All writers, not just our, but European writers, too, have always failed whenever they attempted a portrait of the positively beautiful. Because the task is so infinite. The beautiful is an ideal, but both our ideal and that of civilized Europe are still far from being shaped. There is only one positively beautiful person in the world, Christ, and the phenomenon of this limitlessly, infinitely beautiful person is an infinite miracle in itself. (The whole Gospel according to John is about that: for him the whole miracle is only in the incarnation, in the manifestation of the beautiful.) But I am going too far. I’d only mention that of all the beautiful individuals in Christian literature, one stands out as the most perfect, Don Quixote. But he is beautiful only because he is ridiculous. Dickens’ Mr. Pickwick (who is, as a creative idea, infinitely weaker than Don Quixote but still gigantic) is also ridiculous but that is all he has to captivate us. Wherever compassion toward ridiculed and ingenious beauty is presented, the reader’s sympathy is aroused. The mystery of humor lies in this excitation of compassion.’

At the time when he wrote this letter, Dostoevsky was working on his own variation of the “Christ as Don Quixote” or “Christ Ridiculous” theme: Prince Myshkin of The Idiot. From here a line can be dotted back to Mr. Leys’s essay: both Cervantes and Dostoevsky were targets of Nabokov’s iconoclastic vitriol.

“

- Lev Loseff, Dartmouth College

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