• Home
  • Memo
    • Past Memo Archives
    • Podcast (iTunes)
    • RSS Feed
  • Roy H. Williams
    • Private Consulting
    • Public Speaking
    • Pendulum_Free_PDF
    • Sundown in Muskogee
    • Destinae, the Free the Beagle trilogy
    • People Stories
    • Stuff Roy Said
      • The Other Kind of Advertising
        • Business Personality Disorder PDF Download
        • The 10 Most Common Mistakes in Marketing
          • How to Build a Bridge to Millennials_PDF
          • The Secret of Customer Loyalty and Not Having to Discount
          • Roy’s Politics
    • Steinbeck’s Unfinished Quixote
  • Wizard of Ads Partners
  • Archives
  • More…
    • Steinbeck, Quixote and Me_Cervantes Society
    • Rabbit Hole
    • American Small Business Institute
    • How to Get and Hold Attention downloadable PDF
    • Wizard Academy
    • What’s the deal with
      Don Quixote?
    • Quixote Wasn’t Crazy
      • Privacy Policy
      • Will You Donate A Penny A Wedding to Bring Joy to People in Love?

The Monday Morning Memo

Some books are forgettable.
The Book Thief is not.

In it, Markus Zusak gives us a look at 1942 Germany through the eyes of a 9 year-old girl. The book's quirky narrator, Death, will occasionally slip his own odd comments into the story. These observations always begin with the color of the sky during the moment he is about to describe. Here, Death describes Auschwitz:

“For me the sky was the colour of Jews.
When the bodies had finished scouring for gaps in the door, their souls rose up. Their fingernails had scratched at the wood and in some cases were nailed into it by the sheer force of desperation, and their spirits came towards me, up into my arms. We climbed out of those shower facilities, onto the roof and up, into eternity's certain breadth.”(p272)

Did I say the narrator was quirky?
Here, Death talks about 1942:

“Forget the scythe, God damn it, I needed a broom or a mop. And I needed a holiday.” (p329)

But for all his strangeness, Death doesn't make the book darkly comic; he makes it profoundly tender. Commenting on the countless voices in pain that call out for him to come:

“At times I wish I could say something like 'Don't you see I've already got enough on my plate?' But I never do. I complain internally as I go about my work and some years, the souls and bodies don't add up, they multiply.”  (p330)

The primary voice of the book is Liesel, a reasonably happy 9 year-old unaware of what's happening all around her. Though Death comments only from time to time, he is never far from the page and you feel him always close at hand.

Oddly, you are never afraid.

Markus Zusak is a young writer destined for greatness.
I much look forward to his next work.

– Roy H. Williams

 

Email Newsletter

Sign up to receive the Monday Morning Memo in your inbox!

Download the PDF "Dictionary of the Cognoscenti of Wizard Academy"

Random Quote:

“The first year he wished he was dead. The second year he cursed God. The third year he was divided between the two emotions, and in the confusion quarreled with a man in authority. He had the best of the quarrel, though the man in authority had the last word, — a word that sent Neil Bonner into an exile that made his old billet appear as paradise. But he went without a whimper, because the North had succeeded in making him into a man… In the day his lips were compressed, his face stern; but in the night he clenched his hands, rolled about in his blankets, and cried aloud like a little child. And he would remember a certain man in authority and curse him through the long hours. Also, he cursed God. But God understands. He cannot find it in His heart to blame weak mortals who blaspheme in Alaska.”

- Jack London, Short Stories, Authorized Edition With Definitive Texts, p.138… 140

The Wizard Trilogy

The Wizard Trilogy

More Information

  • Privacy Policy
  • Wizard Academy
  • Wizard Academy Press

Contact Us

512.295.5700
corrine@wizardofads.com

Address

16221 Crystal Hills Drive
Austin, TX 78737
512.295.5700

The MondayMorningMemo© of Roy H. Williams, The Wizard of Ads®