• Home
  • Memo
    • Past Memo Archives
    • Podcast (iTunes)
    • RSS Feed
  • Roy H. Williams
    • Private Consulting
    • Public Speaking
    • Pendulum_Free_PDF
    • Sundown in Muskogee
    • Destinae, the Free the Beagle trilogy
    • People Stories
    • Stuff Roy Said
      • The Other Kind of Advertising
        • Business Personality Disorder PDF Download
        • The 10 Most Common Mistakes in Marketing
          • How to Build a Bridge to Millennials_PDF
          • The Secret of Customer Loyalty and Not Having to Discount
          • Roy’s Politics
    • Steinbeck’s Unfinished Quixote
  • Wizard of Ads Partners
  • Archives
  • More…
    • Steinbeck, Quixote and Me_Cervantes Society
    • Rabbit Hole
    • American Small Business Institute
    • How to Get and Hold Attention downloadable PDF
    • Wizard Academy
    • What’s the deal with
      Don Quixote?
    • Quixote Wasn’t Crazy
      • Privacy Policy
      • Will You Donate A Penny A Wedding to Bring Joy to People in Love?

The Monday Morning Memo

Some books are forgettable.
The Book Thief is not.

In it, Markus Zusak gives us a look at 1942 Germany through the eyes of a 9 year-old girl. The book's quirky narrator, Death, will occasionally slip his own odd comments into the story. These observations always begin with the color of the sky during the moment he is about to describe. Here, Death describes Auschwitz:

“For me the sky was the colour of Jews.
When the bodies had finished scouring for gaps in the door, their souls rose up. Their fingernails had scratched at the wood and in some cases were nailed into it by the sheer force of desperation, and their spirits came towards me, up into my arms. We climbed out of those shower facilities, onto the roof and up, into eternity's certain breadth.”(p272)

Did I say the narrator was quirky?
Here, Death talks about 1942:

“Forget the scythe, God damn it, I needed a broom or a mop. And I needed a holiday.” (p329)

But for all his strangeness, Death doesn't make the book darkly comic; he makes it profoundly tender. Commenting on the countless voices in pain that call out for him to come:

“At times I wish I could say something like 'Don't you see I've already got enough on my plate?' But I never do. I complain internally as I go about my work and some years, the souls and bodies don't add up, they multiply.”  (p330)

The primary voice of the book is Liesel, a reasonably happy 9 year-old unaware of what's happening all around her. Though Death comments only from time to time, he is never far from the page and you feel him always close at hand.

Oddly, you are never afraid.

Markus Zusak is a young writer destined for greatness.
I much look forward to his next work.

– Roy H. Williams

 

Email Newsletter

Sign up to receive the Monday Morning Memo in your inbox!

Download the PDF "Dictionary of the Cognoscenti of Wizard Academy"

Random Quote:

“We take a tiny colony of soft corals from a rock in a little water world. And that isn’t terribly important to the tide pool. Fifty miles away the Japanese shrimp boats are dredging with overlapping scoops, bringing up tons of shrimps, rapidly destroying the species so that it may never come back, and with the species destroying the ecological balance of the whole region. That isn’t very important in the world. And six thousand miles away the great bombs are falling on London and the stars are not moved thereby. None of it is important or all of it is. “

- John Steinbeck, Sea of Cortez, p. 3, 1941

The Wizard Trilogy

The Wizard Trilogy

More Information

  • Privacy Policy
  • Wizard Academy
  • Wizard Academy Press

Contact Us

512.295.5700
corrine@wizardofads.com

Address

16221 Crystal Hills Drive
Austin, TX 78737
512.295.5700

The MondayMorningMemo© of Roy H. Williams, The Wizard of Ads®