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Monday Morning Memo

The Architecture of Dreams

 My first house was a small frame home built in the 40’s. A small wooden box.
Two bedrooms, one small bath, a itty bitty kitchen, single living room
and an attached one car garage. Did I mention it was small?
Over the years I completely remodeled it, put in central air,
converted the one car garage to expand the living area … but also
took some advice from an architect.
He said “Make the ceilings tall.”
“How Tall?” I asked.
He said, “Sky’s the limit, you can’t have a ceiling too tall.”
So I took his advice and in my itty bitty old box house I raised the
ceiling in my slightly bigger living space to over 10′.
It made the place feel spacious.
Never forgot that.
Small walls … Tall ceilings.
It has become my analogy for having “LOFTY” goals … not necessarily  “BIG” ones.
Most of the time we are constrained by realistic limitations … and
the limitations force us to get creative … and go in a different
direction … like UPWARDS.
A little firm can have a lofty goal of being the absolute best company
in their category in their community … as opposed to simply having
more and more and more “average” stores.
You don’t have to make a hundred million dollars, win a Nobel peace prize or write a New York Times Bestseller to have larger-than-life ambitions. You can have small but LOFTY goals to change one…small… corner… of the planet.
A box without a top is the architecture of dreams.

Sent in by a cognoscenti who asked to remain a nonny mouse
See you next week!
Aroo.

Indy

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Random Quote:

“The Samburu warriors have arrived – four of them, two holding drums, a child in the shadows minding a yellow longhorn cow. They came yesterday, too, after the morning game run, when Lou and Mindy were ‘napping.’ That’s when Charlie exchanged shy glances with the most beautiful warrior, who has scar tissue designs coiled like railroad tracks over the rigorous architecture of his chest and shoulders and back.

The warrior smiles at Charlie. He’s nineteen, only five years older than she is, and has lived away from his village since he was ten. But he’s sung for enough American tourists to recognize that in her world, Charlie is a child. Thirty-five years from now, in 2008, this warrior will be caught in the tribal violence between the Kikuyu and the Luo and will die in a fire. He’ll have had four wives and sixty-three grandchildren by then, one of whom, a boy named Joe, will inherit his lalema: the iron hunting dagger in a leather scabbard now hanging at his side. Joe will go to college at Columbia and study engineering, becoming an expert in visual robotic technology that detects the slightest hint of irregular movement (the legacy of a childhood spent scanning the grass for lions.) He’ll marry an American named Lulu and remain in New York, where he’ll invent a scanning device that becomes standard issue for crowd security. He and Lulu will buy a loft in Tribeca, where his grandfather’s hunting dagger will be displayed inside a cube of Plexiglas, directly under a skylight.

“

- Jennifer Egan, A Visit From the Goon Squad, Winner of the Pulitzer Prize

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