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“By early June the houses were inhabited, at the weekends at least, but I was still taking my duties quite seriously. For instance, at least once a day I’d go up the hill and conduct my usual surveillance through binoculars. First I’d monitor the houses, of course. In a sense, houses are living creatures that coexist with Man in exemplary symbiosis. My heart swelled with joy, for now it was plain to see that their symbionts had returned. They had filled the empty interiors with their comings and goings, the warmth of their own bodies, their thoughts. Their dainty hands were mending all the little cuts and bruises left by the winter, drying out the damp walls, washing the windows and fixing the ballcocks. Now the houses looked as if they had awoken from the deep sleep into which material sinks when it’s not disturbed. Plastic tables and chairs had already been carried into the front yards, the wooden shutters had been opened, and finally the Sunlight could get inside.”

- Olga Tokarczuk, Drive Your Plow Over the Bones of the Dead, p. 145, winner of the Nobel Prize in Literature

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