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Monday Morning Memo

“The folk music scene had been like a paradise that I had to leave,
like Adam had to leave the garden. …In a few years’ time a shit storm
would be unleashed. Things would begin to burn. Bras, draft cards,
American flags, bridges, too—everybody would be dreaming of
getting it on. The national psyche would change and in a lot of ways
it would resemble the Night of the Living Dead. The road out would
be treacherous, and I didn’t know where it would lead but I followed it
anyway. It was a strange world ahead that would unfold, a thunderhead
of a world with jagged lightening edges. Many got it wrong and never
did get it right. I went straight into it. It was wide open. One thing for sure, not only was it not run by God, but it wasn’t run by the devil either.”

– Bob Dylan, Chronicles 

 Night of the Living Dead, 1968

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Random Quote:

“

She says, ‘There’s universality in the specific.’

and then she recites a deeply unpleasant poem by Eva H.D. called Bonedog. David Fear in Rolling Stone magazine said the poem is about ‘the way regrets have a way of eclipsing the bright spots of a life.’

It’s an eviscerating poem. If you’re not unhappy, it will make you unhappy. I suggest you do not keep reading. – Indy Beagle

BONEDOG

Coming home is terrible whether the dogs lick your face or not; whether you have a wife
or just a wife-shaped loneliness waiting for you. Coming home is terribly lonely, so that you think of the oppressive barometric pressure back where you have just come from with fondness, because everything’s worse once you’re home.

You think of the vermin clinging to the grass stalks, long hours on the road, roadside assistance and ice creams, and the peculiar shapes of certain clouds and silences with longing because you did not want to return. Coming home is just awful.

And the home-style silences and clouds contribute to nothing but the general malaise. Clouds, such as they are, are in fact suspect, and made from a different material than those you left behind. You yourself were cut from a different cloudy cloth, returned, remaindered, ill-met by moonlight, unhappy to be back, slack in all the wrong spots, seamy suit of clothes dishrag-ratty, worn.

You return home moon-landed, foreign; the Earth’s gravitational pull an effort now redoubled,
dragging your shoelaces loose and your shoulders etching deeper the stanza of worry on your forehead. You return home deepened, a parched well linked to tomorrow by a frail strand of…

Anyway . . .

You sigh into the onslaught of identical days. One might as well, at a time . . .

Well . . .
Anyway . . .
You’re back.

The sun goes up and down like a tired whore, the weather immobile like a broken limb while you just keep getting older. Nothing moves but the shifting tides of salt in your body. Your vision blears. You carry your weather with you, the big blue whale, a skeletal darkness.

You come back with X-ray vision. Your eyes have become a hunger. You come home with your mutant gifts to a house of bone. Everything you see now, all of it: bone.”

- Young Woman, in the movie "I'm Thinking About Ending Things."

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