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The Monday Morning Memo

 

 

Talented people tumble into darkness, just like everyone else. And the works they create in the dark show us a different side of them.  

The following two poems by Robert Frost describe a nearly identical scene, but the second one, “Draft Horse” feels like it was written in a minor key.

I call it Dark Frost.

 

“Stopping by Woods on a Snowy Evening”
shows us the contemplative and reflective side of Robert Frost.

Whose woods these are I think I know.   
His house is in the village though;   
He will not see me stopping here   
To watch his woods fill up with snow.   
 
My little horse must think it queer   
To stop without a farmhouse near   
Between the woods and frozen lake   
The darkest evening of the year.   
 
He gives his harness bells a shake   
To ask if there is some mistake.   
The only other sound’s the sweep   
Of easy wind and downy flake.   
 
The woods are lovely, dark and deep,   
But I have promises to keep,   
And miles to go before I sleep,   
And miles to go before I sleep.
 

“The Draft Horse”
is Dark Frost.

With a lantern that wouldn’t burn
In too frail a buggy we drove
Behind too heavy a horse
Through a pitch-dark limitless grove.

And a man came out of the trees
And took our horse by the head
And reaching back to his ribs
Deliberately stabbed him dead.

The ponderous beast went down
With a crack of a broken shaft.
And the night drew through the trees
In one long invidious draft.

The most unquestioning pair
That ever accepted fate
And the least disposed to ascribe
Any more than we had to to hate,

We assumed that the man himself
Or someone he had to obey
Wanted us to get down
And walk the rest of the way.

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Random Quote:

“

The timidity of the child or the savage is entirely reasonable; they are alarmed at this world, because this world is a very alarming place. They dislike being alone because it is verily and indeed an awful idea to be alone. Barbarians fear the unknown for the same reason that Agnostics worship it because it is a fact. Fairy tales, then, are not responsible for producing in children fear, or any of the shapes of fear; fairy tales do not give the child the idea of the evil or the ugly; that is in the child already, because it is in the world already. Fairy tales do not give the child his first idea of bogey. What fairy tales give the child is his first clear idea of the possible defeat of bogey. The baby has known the dragon intimately ever since he had an imagination. What the fairy tale provides for him is a St. George to kill the dragon.

“

- G. K. Chesterton

The Wizard Trilogy

The Wizard Trilogy

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