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Monday Morning Memo

Description. A Dying Art.

 

“In my life as a writer I often remind myself – comfort myself – with what William Faulkner said about The Sound and the Fury. The whole novel, he claimed, hung on one image, the glimpse of a little girl's muddy underpants seen from the ground as she climbed a tree. How can an entire world spin off so small and incidental a hub? Can it be possible that Faulkner conceived his masterpiece from this tiny, grubby moment?”

“I imagine most writers of novels begin with such a fragment, a shard of experience so compelling, so troubling and unavoidable – always there, on the periphery of consciousness – that around it he or she must construct an elaborate world. This world, the novel, is not merely a container or a means of filing the image away but an attempt to make it comprehensible, and to guard its power.”

– Kathryn Harrison, author of The Seal Wife, in her essay for The New York Times, “When Inspiration Stared Stoically from an Old Photograph.”

 

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Random Quote:

“We often talk about Hurricane Katrina and 9/11 in terms of failures: failures of intelligence, failures of planning, failures of communication. But these catastrophes were first and foremost failures of imagination. Did we know that a major hurricane could destroy New Orleans? Yes: it was even part of the tour guides' spiel. Did we know terrorists wanted to bring down the World Trade Center? Yes: they made a credible attempt in 1993. And what did we do with what we knew? Nothing. Some disasters, I think, are so big and so awful they are literally beyond our power to conceive. So, we dismiss them out of hand, retreat to the ‘knowledge' that a thing can't happen because, well, it just can't.”

- columnist Leonard Pitts, July 6, 2006

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