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The Monday Morning Memo

Recently, our friends at the Wizard Academy saw someone else. You’ve seen the one photo Brad Whittington took in the art gallery. The Wizard put it on the front page of his Memo a few weeks ago. Upon reflection, I thought it needed a little more staging, so I stole my way back to the painting for another try.

What’s curious about these episodes is that I really look like none of these famous characters. 

Sure, there might be a feature which triggers the thought. Maybe it’s the tawny, black and grey beard of Skywalker. Or the long hair of Wolfgang. Or even the rimless glasses for Stephen. Yet it’s not the shape of my face which is causing these comparisons.

That x factor that is inspiring their memory is an aspect of personality. Maybe the lift in the voice. The sparkle of the eye. The solemn expression that meditation brings. These items tickle the mind.

Now ask yourself what the underlying personality traits that those characters share. Mozart. Colbert. Skywalker. Quixote. What threads them together? What threads them to me? 

I can only conclude it’s a kind of ridiculousness. Being serious about not being serious. True to self. Independent of what other people think. Energized by an idea.

But not purposefully weird. Just comfortable in being one bubble off of plumb.

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Random Quote:

“Laurence Arne-Sayles began with the idea that the Ancients had a different way of relating to the world, that they experienced it as something that interacted with them. When they observed the world, the world observed them back. If, for example, they traveled in a boat on a river, then the river was in some way aware of carrying them on its back and had in fact agreed to it. When they looked up to the stars, the constellations were not simply patterns, enabling them to organise what they saw, they were vehicles of meaning, a never-ending flow of information. The world was constantly speaking to ancient man.”

“All of this was more or less within the bounds of conventional philosophical history, but where Arne-Sayles diverged from his peers was in his insistence that this dialogue between the Ancients and the world was not simply something that happened in their heads; it was something that happened in the actual world. The way the Ancients perceived the world was the way the world truly was. This gave them extraordinary influence and power. Reality was not only capable of taking part in a dialogue – intelligible and articulate –  it was also persuadable. Nature was willing to bend to men’s desires, to lend them its attributes. Seas could be parted, men could be turned into birds and fly away, or into foxes and hide in dark woods, castles could be made out of clouds.”

“Eventually, the Ancients ceased to speak and listen to the World. When this happened the World did not simply fall silent, it changed. Those aspects of the world that had been in constant communication with men – whether you called them energies, powers, spirits, angels, or demons – no longer had a place or a reason to stay and so they departed. There was in Arne-Sayles’s view, an actual, real disenchantment.”

- – Susanna Clarke, Piranesi, p. 147-148. It seems to me that Anthony Doerr is the only world builder who constructs alternate realities in a manner that is similar to Susanna Clarke. – Roy H. Williams

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