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Monday Morning Memo

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Elias Leight, in a news story at Billboard.com, writes:

James Graham, who wrote the Broadway musical Finding Neverland, believes Peter Pan expresses a common reluctance to ‘grow up,’ conform, and play the game. ‘There’s so many universals in that story about being human,’ he tells Billboard. While the tale was written by an Englishman, it celebrates the outsider spirit that still holds a strong grip on the American imagination. “Peter Pan himself is this massive rebel,’ Graham notes. ‘An anarchist. A carefree dude who doesn’t care what anyone thinks and refuses to conform… the idea of the young rebel trying to hold on to their youth, [who] doesn’t really care, that’s something that survived the passage of time.’”

“Professor Maria Tatar, a Harvard University professor and the author of The Annotated Peter Pan, echoes these sentiments. ‘Some kids really want to grow up too fast, especially today,’ she says. ‘As a kid, I always wanted to stay a kid. For me, it’s the fantasy about flying. Lack of gravity is great — it has to do with not being serious, having fun, playing. The idea of being above it all, being able to escape into this secret other world.’”

This is Ruth B talking about her new hit song, Lost Boy

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Random Quote:

“

Snowy-haired Robert Frost came and filled Northrup auditorium, 4,700 seats, and recited his greatest hits by heart to the awestruck crowd. Afterward I stood by the back door and watched him emerge and shuffle down the walk and climb into his limousine. Nobody asked him for his autograph, it was enough to observe him up close. (He looked extremely old.) Our great alcoholic genius was John Berryman, a man of such towering intellect that I was afraid to be in the same room with him – one caustic glance and I would’ve gone up in flames. He wore a big beard that made him look like he was eating a sweater. He gave a reading of his Dream Songs, slumped against the lectern, speech slurred, a man on the verge of collapse. His greatness and his affliction seemed intertwined, an artist engaging with powerful dark forces in public, pain had driven him to alcohol and to poetry, and he could no more give up one than he could stifle the other. I thought, If this is what it takes to be a great American writer, then I am on the wrong street. I am not screwed up enough.

“

- Garrison Keillor, The Keillor Reader, Introduction p. xxv

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