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The Monday Morning Memo

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This week’s goal is to write a verb avalanche and send it to Daniel@WizardAcademy.org
If it’s awesome, there’s a chance Frank will send it and then you’ll be, like, famous. – Indy

From The Dictionary of the Cognoscenti:

Verb Avalanche – a style of writing that slaps the cheek of the imagination and jerks open the eyes of the mind by firing rocket-like verbs to explode in the darkness and brighten the horizon. You leap out of the way of a mental image plummeting toward you only to find that another is hurtling at your face. Adrenaline surging, heart pounding, knees flying, lungs gasping, you’re having a wonderful time.

You say you need some more examples?

Jacob slipped into the shadows, ducked down a hallway, climbed a wall, and hid in the shadows above the throne room.”
             Later, in that same children’s book…
“Jacob was afraid for his friends. He slipped into the shadows, crept over a rooftop, slid down a tree, hurried away from the palace, and ran all the way to Bethlehem.”
– Chris Auer, The Littlest Magi  

(9 actions in 52 words – 9/52 – one vivid action every 5.8 words)
slipped, ducked, climbed, hid, slipped, crept, slid, hurried, ran

Then Thorin stepped up and drew the key on its chain from round his neck. He put it to the hole. It fitted and it turned! Snap! The gleam went out, the sun sank, the moon was gone, and evening sprang into the sky.”
– The Hobbit, chapter 11,

(10 actions in 44 words – 10/44 – one vivid action every 4.4 words)
stepped up, drew, put, fitted, turned, Snap! went out, sank, was gone, sprang
(In context, Snap! isn’t technically a verb but I’m counting it as an action because it makes you experience something vivid in your mind. Likewise, “mad to live, mad to talk, mad to be saved” below.)

The only people for me are the mad ones, the ones who are mad to live, mad to talk, mad to be saved, desirous of everything at the same time, the ones who never yawn or say a commonplace thing, but burn, burn, burn like fabulous yellow roman candles exploding like spiders across the stars and in the middle you see the blue centerlight pop and everybody goes ‘Awww!'”
– Jack Kerouac

(13 actions in 69 words – 13/69 – one vivid action every 5.3 words)
mad to live, mad to talk, mad to be saved, desirous, yawn, say, burn, burn, burn, exploding, see, pop, goes ‘Awww!’

SIDE NOTE – the definition of verb avalanche in the Dictionary of the Cognoscenti is 14/69, an action in every 4.9 words.
slaps, jerks, firing, explode, brighten, leap, plummeting, find, hurtling, surging, pounding, flying, gasping, having

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Random Quote:

“

Consider a novel which has survived for almost four centuries, and is still regarded as one of the great masterpieces of world fiction. I speak of Don Quixote, by Cervantes.

Its story is of the adventures of a gentleman whose wits have been turned by reading old books of romance and chivalry; he equips himself absurdly with miserable armour and an old and wretched horse, and he rides forth in search of adventures. Their story is not told with tidy literary art; it is a rambling and often coarse tale of the foolishness of a mad old man who is mocked, beaten, and humiliated until, on his deathbed, he understands the folly of his delusion.

The book is often read superficially. More often it is not read at all, by people who are nevertheless aware of it, because the story is familiar from stage, film, and operatic versions, and has given our language the word “quixotic,” meaning actuated by impracticable ideals of honour. But if we read the book carefully and sympathetically we find the secrets of its extraordinary power. It is the first example in popular literature of the profoundly religious theme of victory plucked from defeat, which has strong Christian implications. The Don, who is courteous and chivalrous toward those who ill-use him, and who is ready to help the distressed and attack tyranny or cruelty at whatever cost to himself, is manifestly a greater man than the dull-witted peasants and cruel nobles who torment and despise him. We love him because his folly is Christlike, and his victory is not of this world.

Is this what Cervantes meant? I cannot say, for I am not a Cervantist, but this is certainly what he wrote, and we know that such a book could not have been written except by a man of great spirit. This is the puzzle which has led some impetuous critics to assume that a writer is sometimes an idiot savant who writes better than he knows, and who, of course, needs critics to explain to him the world, and probably also himself.

The theme of victory plucked from defeat, and the folly which is greater than conventional wisdom, is at the root of many novels. One of the best and most enduring is Charles Dickens’s first success, The Pickwick Papers. When we first meet Mr. Pickwick he is an almost buffoonlike character, but when he is unjustly imprisoned his character deepens and he becomes aware of the misery and injustice which are part of the society in which he lives. By the end of the book Mr. Pickwick is a man of real worth. It is interesting and very important that Mr. Pickwick is dependent on his valet, Sam Weller, a streetwise youth who is to him what Sancho Panza is to Don Quixote; that is, an element of common sense and practical wisdom that is lacking in his master. When we think about it we see that the great virtues are exemplified in these four people: Don Quixote and Mr. Pickwick possess faith, hope charity, justice, and fortitude, but they need their servants to supply prudence and temperance. A character who possessed all the seven great virtues would never do as the hero of a novel; he would be perfect, and in consequence unsympathetic, for we are impatient and suspicious of human perfection. But when a hero who has most of the virtues is partnered by a helper and server who has what he lacks, great and magical fiction may result.

“

- Robertson Davies, The Merry Heart, p. 195-197

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