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The Monday Morning Memo

The Sculpture– Sculpted in 1916 by Joseph Iacinto “Jo” Mora (1876-1947), Don Quixote and Sancho Panza kneel before a bronze bust of their creator, Cervantes. Mora was a renowned art historian, sculptor, painter, photographer, illustrator, mapmaker, muralist, cowboy and author. He was known as the “Renaissance Man of the West.” 

It was donated to Golden Gate Park by Molera and Cebrian, a pair of boyhood friends who became civil engineers and then emigrated from Spain in 1870. They became extremely successful in turn-of-the-century San Francisco by involving themselves in the expansion of telephone, electricity, gas and oil.

The Painter– Fred Fredden Goldberg was born in Berlin in 1889, studied at the Academy of Fine Arts in Munich, then in Paris at the Écoledes Beaux-Arts and the Académie Julian. During WWII he sought refuge in Shanghai, then emigrated to California in 1947 where he maintained a studio in San Francisco until his death in 1973 at the age of 84.

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Random Quote:

“That was how the Count and his sister would brave the cold on Christmas Eve. Promising their grandmother that they would be no later than midnight, the siblings would set out on their troika into the crisp night air to call on their neighbors. With the Count at the reins and the pelt of a wolf on their laps, they would cut across the lower pasture to the village road, where the Count would call: Who shall it be first? The Bobrinskys? Or the Davidovs?

But whether they ventured to the one, the other, or somewhere else entirely, there would be a feast, a fire, and open arms. There would be bright dresses, and flushed skin, and sentimental uncles making misty-eyed toasts as children spied from the stairs. And music? There would be songs that emptied your glass and called you to your feet. Songs that led you to leap and alight in a manner that belied your age. Songs that made you reel and spin until you lost your bearings not only between the parlor and the salon, but between heaven and earth.”

- A Gentleman in Moscow, p. 88-89

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