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The Monday Morning Memo

The extension of the hand into the space below the lower frameline pierces the barrier between subject and viewer. The averted eyes, looking not into the lens of the camera but at someone above and to the side of it, make you feel a third, invisible presence. Not consciously, of course, but at a subconscious level. Hopefully, you will never look at art the same way again.

Do you enjoy this stuff?
Join Massimiliano Giorgini and the wizard for 2 eye-opening days at the academy as they reveal the hidden-in-plain-sight patterns, symbols, metaphors within coded messages sent by criminals and coded messages sent by artists. This special event will include an explanation of how to communicate subliminal messages through photos, paintings, videos and music, as well as a long-overdue explanation of the multitude of messages contained in the landscaping and architecture, building placement and art collection of Wizard Academy.

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Download the PDF "Dictionary of the Cognoscenti of Wizard Academy"

Random Quote:

“How far is it from here

To Emily Dickinson’s father’s house in America;

Think of her climbing a spiral stair

Up to the little cupola with its clear

Small panes, its room for one.

Like the dark house below, so full of eyes

In mirrors and of shut-in flies,

This chamber furnished only with the sun

Is she and she alone,

A mood to which she rises, in which she sees

Bird-choristers in all the trees

And a wild shining of the pure unknown

On Amherst…”

- Richard Wilbur, from his 1956 poem "Altitudes," which first describes an elaborate Italian cathedral dome, then recalls the spare cupola which Dickinson's father added to their house.

The Wizard Trilogy

The Wizard Trilogy

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The MondayMorningMemo© of Roy H. Williams, The Wizard of Ads®