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Monday Morning Memo

Studio 60 on the Sunset Strip was written by Aaron Sorkin. As you watch these scenes, keep in mind that a TV script is the record of a conversation between characters that exist only in the mind of the writer. The job of the director is to make these characters come to life onscreen.
The West Wing, another brilliant work by Aaron Sorkin. Josh says very little in this scene, but great writing + great directing makes his personality dazzlingly clear.
Notice how Sorkin inserts comments that might have caused the conversation to have taken a different direction, but how each distraction falls aside due to the momentum of the President’s train of thought and CJ’s relentless pursuit of her topic. This is how real conversations sound.
https://youtu.be/bIpKfw17-yY
Remember what I said about a script being a record of the conversations between imaginary characters? Watch how the mask of this character falls away after one-too-many slams to the mask. This is part of the opening scene in episode one of The Newsroom, another Aaron Sorkin masterpiece. Interestingly, Sorkin explained some years later that his inspiration for this series came from Don Quixote, a story about a man struggling valiantly against impossible odds.

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Random Quote:

“

Sometimes fate is like a small sandstorm that keeps changing directions. You change direction but the sandstorm chases you. You turn again, but the storm adjusts. Over and over you play this out, like some ominous dance with death just before dawn. Why? Because this storm isn’t something that blew in from far away, something that has nothing to do with you. This storm is you. Something inside of you. So all you can do is give in to it, step right inside the storm, closing your eyes and plugging up your ears so the sand doesn’t get in, and walk through it, step by step. There’s no sun there, no moon, no direction, no sense of time. Just fine white sand swirling up into the sky like pulverized bones. That’s the kind of sandstorm you need to imagine.

And you really will have to make it through that violent, metaphysical, symbolic storm. No matter how metaphysical or symbolic it might be, make no mistake about it: it will cut through flesh like a thousand razor blades. People will bleed there, and you will bleed too. Hot, red blood. You’ll catch that blood in your hands, your own blood and the blood of others.

And once the storm is over you won’t remember how you made it through, how you managed to survive. You won’t even be sure, in fact, whether the storm is really over. But one thing is certain. When you come out of the storm you won’t be the same person who walked in. That’s what this storm’s all about.

“

- Haruki Murakami, Kafka on the Shore

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