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Monday Morning Memo


“‘Think of all the stories you’ve heard, Bast. You have a young boy, the hero. His parents are killed. He sets out for vengeance. What happens next?’

Bast hesitated, his expression puzzled. Chronicler answered the question instead. ‘He finds help. A clever talking squirrel. An old drunken swordsman. A mad hermit in the woods. That sort of thing.’

Kvothe nodded. ‘Exactly! He finds the mad hermit in the woods, proves himself worthy, and learns the names of all things, just like Taborlin the Great. Then, with these powerful magics at his beck and call, what does he do?’

Chronicler shrugged. ‘He finds the villains and kills them.’

‘Of course,’ Kvothe said grandly. ‘Clean, quick, and easy as lying. We know how it ends practically before it starts. That’s why stories appeal to us. They give us the clarity and simplicity our real lives lack.’”

– Patrick Rothfuss, The Name of the Wind, p. 303 – 304

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Random Quote:

“I usually start with two or three completely unrelated big ideas (issues that have been rattling around in my brainpan for many months) and maybe a character or two who have no ostensible connections to each other or to any of the big ideas. The challenge, then, is to bring these disparate themes and characters together so smoothly and seamlessly that it would appear that from the very beginning they were cohesive elements in a preconceived whole. I never force them to merge, understand, but patiently coax or excite them into revealing their innate hidden connections as they collide within the labyrinth of my gradually developing plot. Everything in the universe is connected, of course: it’s a matter of using imagination and research to discover the links and using language to expand and enliven them.”

- Tom Robbins, in an interview with François Happe (March, 2009)

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