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The Monday Morning Memo


“In the kingdoms of England,
the sound of the bells is already one of the customs of the afternoon, but the man, while still a boy, had seen the face of Woden, had seen holy dread and exultation, had seen the rude wooden idol weighed down with Roman coins and heavy vestments, seen the sacrifice of horses, dogs, and prisoners. Before dawn he would be dead and with him would die, never to return, the last firsthand images of the pagan rites. The world would be poorer when this Saxon was no more.”

“We may well be astonished by space-filling acts which come to an end when someone dies, and yet something, or an infinite number of things, die in each death—unless there is a universal memory, as the theosophists have conjectured. There was a day in time when the last eyes to see Christ were closed forever. The battle of Junín and the love of Helen died with the death of some one man. What will die with me when I die? What pathetic or frail form will the world lose? Perhaps the voice of Macedonio Fernandez, the image of a horse in the vacant space at Serrano and Charcas, a bar of sulfur in the drawer of a mahogany desk?”

– Jorge Luis Borges, The Witness
 


“Since Penelope Noakes
of Duppas Hill is gone,
there is no one who will ever call me Nellie again.”

– an old lady
living in the mind
of W.H. Auden

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Random Quote:

“I feel almost a blood relationship with all the artists in all the mediums, for I find that we face the same problems but solve them in our own ways. When young people in my writing classes, for example, ask what subjects they should study to become writers, I surprise them by replying: ‘Ceramics and eurhythmic dancing.’ When they look surprised I explain: ‘Ceramics so you can feel form evolving through your fingertips molding the moist clay, and eurhythmic dancing so you can experience the flow of motion through your body. You might develop a sense of freedom that way.’”

- James Michener, This Noble Land, ch. 10

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