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The Monday Morning Memo

In a private note to the wizard, R.R. Rotbart wrote, “This is one of the most entertaining (and informative) episodes ever. It’s insane.” In the 1980s, electronics retailer “Crazy Eddie” was known for his screaming and thrashing television commercials. Thousands of fans flooded his store openings hoping to get a glimpse of the unhinged pitchman. Eddie Antar — the real Crazy Eddie, not the TV actor who portrayed him in the commercials — was a thieving, lying, cheat who defrauded everyone who ever trusted him, and was ultimately sentenced to eight years in prison. Investigative reporter Gary Weiss has written a page-turning biography and exposé of Eddie Antar, exploring both the genius and the insanity of “Crazy Eddie,” a business crook unlike any other in American history.

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Random Quote:

“Magic realism, chiefly Latin-American narrative strategy that is characterized by the matter-of-fact inclusion of fantastic or mythical elements into seemingly realistic fiction. Although this strategy is known in the literature of many cultures in many ages, the term magic realism is a relatively recent designation, first applied in the 1940s by Cuban novelist Alejo Carpentier, who recognized this characteristic in much Latin-American literature. Some scholars have posited that magic realism is a natural outcome of postcolonial writing, which must make sense of at least two separate realities—the reality of the conquerors as well as that of the conquered. Prominent among the Latin-American magic realists are the Colombian Gabriel García Márquez, the Brazilian Jorge Amado, the Argentines Jorge Luis Borges and Julio Cortazar, and the Chilean Isabel Allende.

 “

- The Editors of Encyclopædia Britannica

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