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The Monday Morning Memo

Counterintuitive Radio

May 10, 2010

| Download
https://podcasts.captivate.fm/media/5bca63fd-b69e-41a4-8bdb-352ffaeacec7/MMM100510-CounterintuitRadio.mp3


“The best radio ads entertain the public and generate favorable comments.”

That kind of thinking is why most radio ads don’t work as well as they should.

I know it’s counterintuitive and disconcerting but the ads we hate often work better than the ads we love.

What are you trying to make happen with your radio ads? Have you been confusing compliments with results?

You’re probably dismayed by what I’m saying right now. Bear with me. I’m betting you’ll find a nugget you can use.

Here are some concepts to ponder:

(1.) Strange voices: Voices that belong on the radio are easy to ignore. Voices that don’t belong on the radio usually sell more product. Unpolished, amateur voices are hard to ignore. This is why they generate such hot complaints.

(2.) Awkward phrasing: “Smooth ads” are built from worn-out phrases that are likewise easy to ignore. Effective ads often feature broken sentences. Half sentences. Non-sequiturs. This is how we speak, but it’s rarely how we write. Our brains know how to assemble bits and pieces of verbalized thoughts so that they make sense in our minds. Awkward wording and weird phrases capture attention. But we rarely use these when we write radio ads.

(3.) No music: Music beds “sound good” because they help blur the ads into the format.
  This makes the ads – you guessed it – easier to ignore.

(4.) No humor: Humor is like nitroglycerine. Handle it carefully and you can move mountains with it. Handle it carelessly and you’ll blow your listener’s attention completely away from your message; they’ll remember your humor but not your advertiser.
  Here’s the rule: When the humor is directly linked to the product and its purpose, you’re in the mountain moving business. But when your humor is only tangentially connected to the product, resist the temptation to include it in the ad. Tangential humor will get you lots of compliments but limited results.

Please understand I’m NOT saying irritating ads always work. Sometimes a radio ad is irritating because it’s badly written, poorly produced and pointless. But these are rare. Far more common are ads that are badly written, extremely well produced and pointless. But occasionally you’ll hear an ad that doesn’t sound like an ad at all. The person on the radio sounds real, says real things and is believable.

Jim Dunn’s accent is difficult to penetrate because he spent his formative years in Boston. Remember Cliff Clavin on Cheers? Jim the construction worker has a much thicker Boston accent than Cliffie the postman and Jim’s jewelry store is in sunny Florida. Earlier this year, Jim bought some radio time and simply told the truth:

JIM: What was I thinking? Opening a second location made sense at the time, I just can’t remember why. Originally, I opened J.R. Dunn Jewelers in Lighthouse Point so that Ann Marie, Sean and I could work together as a family. Opening that second location on Las Olas meant us working apart.  The store was a success but it was also a huge burden.  There are things in life worth more than money.  Togetherness is one of them. In late 2009, I asked Ann Marie what she wanted for Christmas.  She said,

ANN MARIE: “All I want is to spend more time with our family and for you, me and Sean to work together again.  So if that means closing Las Olas…so be it.”

JIM: When I asked Sean what he wanted, he gave me the same answer. Funny, it’s what I wanted deep down inside, too. It’s done.

ANNOUNCER: Announcing the first, last and only Happy Together Sale. The entire inventory of the Las Olas store has been moved to the original store location in Lighthouse Point.  The Dunns are back together again.

JIM:  Join us in our family celebration.  We’ve got fine jewelry hanging from the rafters.  Two stores full of diamonds, watches and jewelry jammed into one big happy location.  Let us send some home with you.

Jim and Ann Marie Dunn allowed their Florida customers to see them real. Jim spoke of relationships more important than money and publicly admitted an embarrassing mistake.

Real people with real voices telling real stories.

The Dunn’s event was a gigantic success.

Real results.

Go figure.

Roy H. Williams

PS – Want to see the newly released books from faculty and alumni?

Think about it: this guy is vividly aware of the ads and what they say. How aware is he of all the other ads he hears each day?

BOTTOM LINE: Any message with the power to truly move people will move some of them the wrong direction. You can’t have a big upside without a pronounced downside. To believe otherwise is wishful thinking. Few ads are written to persuade. Most ads are written “not to offend.”

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Random Quote:

“

The Old Man and the Sea is the story of a fight between an elderly, accomplished fisherman, Santiago, and a really big fish. Like… HUGE. The story opens with Santiago suffering eighty -four days without catching a fish because he’s the unluckiest son-of-a-bitch on planet earth. Honestly, if you were in a boat for eighty four days, it’d be hard to NOT catch a fish… even by accident. Santiago was so unlucky that his apprentice, Manolin, was forbidden by his Ma and Pa to fish with him. But as The Fresh Prince used to say, ‘Parents Just Don’t Understand’, So the boy visits Santiago’s shack anyway. Ignoring the inherent risks of unsupervised playtime with an elderly man who talks to himself, Manolin helps out, moving Santiago’s fishing gear, making food and talking about baseball. Especially Joe DiMaggio; who used to bump fuzzies with Marilyn Monroe. The next day, Santiago tells Manolin that he’s going way out into the Gulf Stream. WAY OUT north of Cuba, Lady luck is returning! On the eighty-fifth day of his crappy luck, Santiago drops his lines, and by noon, gets a bite from what feels like a big•ass fish. He’s sure it’s a winner. He fights and fights and fights but can’t pull the monster in. Santiago’s leaky old boat is pulled by the fish for two days and nights as he holds on for dear life. Even though he’s bloody and beat, Santiago begins to appreciate this mighty adversary. He starts calling him “brother” or maybe even, “bro.” It’s sort of a love story if you really think about it. And like most romantic comedies, the reader pictures a delightful outfit changing montage, followed by the inevitable interspecies wedding. But on the third day, Santiago is freakin’ EXHAUSTED, and decides he just wants the fish to do what he says and not always swim wherever it wants. So he stabs it. With a fucking harpoon. It’s a mess. Super gross Blood everywhere. Because, like many men his age, Santiago has difficulty expressing his emotions and fears with words instead giving in to base desires and imposing his gigantically terrible positions on any given subject through unblinking violence. Typical. Anyway, he straps the marlin to the side of his skiff and hits the road home, ready to act like a total show off to everyone and probably gouge people on the price. But guess what? Pretty soon sharks begin to attack the bleeding marlin’s carcass, because as we all know, life is a tragic opera and just when you think you’ve finally found something good and true, sharks come along and rip it all to fucking shreds while dry-humping your dignity with their crazy weird shark dicks. Sure, Santiago tries killing a few of them, but drops his harpoon because his hands are just as old as he is. By nighttime, the sharks have pretty much eaten the entire marlin, Only a bleach-white skeleton remains, silently mocking him in the murky darkness. Santiago realizes he’s still unlucky, REALLY unlucky. (Duh!) He calls the sharks, “dream killers”. Which isn’t really all that fair. I mean, the sharks were just doing their job and the marlin… Jesus, don’t even get me started on the marlin! It was just hanging out one day, minding it’s own business, maybe thinking about ways it could be a better provider for it’s family and WHAM! Harpoon in the brain. Who’s the “dream killer” now, fuckface? The hypocrisy is pretty much boundless at this point. Eventually Santiago makes it ashore. Leaving the bones of the marlin and the boat, he hobbles to his shack. He makes it home and crashes, like I said – he’s super tired. The next morning, a group of fishermen gather around Santiago’s boat. One measures the skeleton and, holy shit shingles! It’s over 18 feet! The head of the fish is given to Pedrico (strange that this is the first mention of him) and the other fishermen ask Manolin to send their glad tidings to the old man. Manolin brings Santiago newspapers and coffee when he wakes and they decide to fish together again. Many years later, there’s a Red Lobster Restaurant in nearly every city in America, offering a casual dining experience and convenient parking.

“

- title card at the end of Deadpool 2, sent to us by Jeff Sexton because he knows we love Hemingway's Old Man and the Sea

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