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The Monday Morning Memo

How to Choose Colors

April 13, 2009

| Download
https://podcasts.captivate.fm/media/740cd114-35fe-43c7-bc0f-33cb62ca047f/MMM090413-How2ChooseColors.mp3

We learned last week that numbers are a language.

Things communicated in numbers can be spoken in no other language. And because numbers are language, numbers can lie.

Color, too, is a language.

We use the language of color to reinforce – and contradict – statements made in the languages of shape and symbol, illumination and proximity. Hues, shades, tints, and intensities of color work together to create a mood, an ambience, an attitude.

Yes, color is a language and I am fascinated by it.

Colors are chosen for websites, logos, furniture, offices and art.

The question is, “How do you choose?”

Wizard Academy studies what gifted people do when they are feeling inspired. We investigate the greatest accomplishments of great men and women so that we may reverse engineer their unconscious methods.

We teach you how to do consciously what a gifted person does unconsciously when they are feeling inspired.

How would you like to be able to say, “The color palette of this website was selected by Claude Monet?”

Imagine the impact of a color scheme that was the basis of a Gustav Klimt painting that sold for more than 100 million dollars.

“The colors in this church were chosen to match the mood of  ‘The Last Supper’ by Leonardo DaVinci.”

Do you suppose the color scheme of ‘The Scream’ by Edvard Munch might create a similar mood of disquiet even when separated from the painting? After all, Munch chose the colors to reinforce the scene. We can safely assume the colors are saying the same thing as the painting.

Colors sing most eloquently in chorus. Rarely does one color say much alone.

I have said enough today in the language of words. It's time to let the colors do the talking.

Just click the beagle at the top of today's memo to begin your instructional journey down the rabbit hole. Each painting clicked will take you one step deeper. There are also a couple of strange side tunnels. Be sure to scroll to the bottom of each page.

What colors might one find in a minor key rainbow?

I'll tell you next week.

Roy H. Williams

Do you know a graphic artist?
Chapel Dulcinea needs a logo for its website, letterhead and business cards. We would prefer a graphic icon rather than a realistic sketch. Approximately 50,000 guests come to Wizard Academy’s free wedding chapel to attend more than 800 weddings each year. You can imagine the web traffic.  All entries should be submitted to Pennie@WizardAcademy.org. The winning entrant will receive a full-tuition scholarship to the Wizard Academy class of their choosing. Think “Chapel, wedding rings, Quixote’s helmet of Mambrino (at the top of the page and below) bells, outdoors,” etc. You can send as many logos as you like.  Our favorites will be featured in an upcoming rabbit hole of the Monday Morning Memo. Give it a shot.

 

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Random Quote:

“In her book, The Cloister Walk, poet Kathleen Norris quotes a Benedictine monk as saying, ‘God behaves in the psalms in ways he is not allowed to behave in systematic theology.’ The psalms are different. They speak to life in ways other scripture, doctrine, and theological presuppositions are not able. The psalms are poetry. As such, they offer a different view of life. The psalms offer a view of life that is thick, rich, and runneth over. They seek not so much to explain but to offer the reality of life lived in all its messiness, both the pain and praise. Norris puts it this way, ‘… poetry’s function is not to explain but to offer images and stories that resonate with our lives.’ The psalms capture the height, the depth, and the breadth of life lived in relationship to, and in covenant with, God.

 “

- Logan C. Jones, opening paragraph of his paper, The Psalms of Lament & Transformation of Sorrow

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