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The Monday Morning Memo

Refer to an Unseen Action

October 9, 2006

| Download
https://podcasts.captivate.fm/media/d0bd1bd5-0bdb-4dbf-8931-91c583133928/MMM061009-Refer2UnseenAction.mp3

Refer to an Unseen Action

A Master's Method for Subtly Surprising Broca

Toward the end of last week's Monday Morning Memo I promised, “Next week I'll teach you how to increase the magnetism of a message by referring to unseen action.” Mischievously, I preceded that statement with a subtle example of the very thing.

Do you remember the quote that preceded my promise? “Thoughts are the threads that bind us to deeds. Deeds are the ropes that bind us to habits. Habits are the chains that bind us to destiny.' – inscription carved on the West Wall at the palace in Maygassa”

Where is Maygassa? Who carved the quote? How large is it written? How long has it been there? These are the questions that immediately spring to mind, right? By referring to an unseen act – an event in an untold story – a writer stimulates curiosity, elevates interest and heightens awareness.

Are these things you'd like to know how to do?

A famous paragraph written by Ernest Hemingway opens by saying, “They shot the six cabinet ministers at half-past six in the morning against the wall of a hospital. There were pools of water in the courtyard.”

“What cabinet ministers of what country, for what crime, or for what historical movement, and with what justice, or with what miscarriage of justice, we are never told… these elements were rigorously excluded from the writer's art, in order to intensify the descriptions of pure pain and horror.” – Maxwell Geismar, July 1, 1962

Another quote mentioned last week was taken from The Engines of God. Here's a second one (p.271) from that same book, lifted from the diary of Janet Allegri, “I've been thinking a lot about my life the last few days, and I have to say that it doesn't seem to have had much point. I've done well professionally, and I've had a pretty good time. Maybe that's all you can reasonably ask. But tonight I keep thinking about things not done. Things not attempted because I was afraid of failing. Things not got around to. Thank God I had the chance to help Hutch throw her foamball. I hope it gets out. It's something I'd like to be remembered for.”

“Thank God I had the chance to help Hutch throw her foamball.”
Who is Hutch? Why did she throw a foamball? Who did she aim it at? Why did she need help throwing it? What is a foamball, anyway?

And aren't you just a bit curious about Janet Allegri and what else might be hiding in that diary?

Dang. I did it to you again.

Referring to an event in an untold story is a powerful technique, rarely used. Most writers just don't have the guts.

Here's a radio script written by the great Adam Donmoyer in which he obliquely refers to a couple of untold stories. See if they don't leap off the page and bang you on the snout:

Do you remember what it was like before you met her? Seriously, do you remember all those girls who seemed okay at first, but later – whoa!

But now you're beginning to understand what they mean by “happily ever after,” right?

Do you have any idea how many guys are out there still lookin' for exactly what you have?

Don't screw this up, man. Remember what happened to Leeroy.

You need to think about lifting up the top of an engagement ring box while you're down on one knee. That's really not such a scary idea when you imagine that it's her you're giving it to, right?

The scary part is shopping for a diamond. You don't want to go swimming in those shark-infested waters. No, no, no. You want to go where it's happy and safe. You want to go to Preston's [Guitar Stinger] Rocks.

No pressure, no hassle. Just great prices, the hottest styles of engagement rings and financing if you need it.

They don't call us Preston's Rocks [Guitar Stinger] for nothing. We do diamonds better than anybody, because diamonds are all we do.

Back behind the Arby's on 96th, just west of I-69.

# # # #

If you'd like to hear that radio ad in its final form, just go to http://www.MMMemo.com/PrestonsAd.htm

And don't forget to bang the wonkus.

Roy H. Williams

There are only two Academy Events left in 2006. The Annual Academy Reunion and Open House is the weekend after next, and the Jeff and Bryan Eisenberg Wizards of Web benefit is Nov 29 – Dec. 1. Both of these are extraordinary opportunities. Are you going to click to read the details?

Please, don't even think about adapting that Preston's ad for your own uses. Copyright law prohibits it and there are plenty of MMMemo readers in your town who would be happy to tell us they heard it. Adam Donmoyer works for me. Don't use the ad, use the technique. – RHW

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Random Quote:

“I used to go to Ocean Beach, the long strip of sand facing the churning Pacific at the end of my own city, for reinforcement, and it always put things in perspective, a term that can be literal too. The city turned into sand and the sand into surf and the surf into ocean and just to know that the ocean went on for many thousands of miles was to know that there was an outer border to my own story, and even to human stories, and that something else picked up beyond. It was the familiar edge of the unknown, forever licking at the shore.”

“I found books and places before I found friends and mentors, and they gave me a lot, if not quite what a human being would. As a child, I spun outward in trouble, for in that inside-out world, everywhere but home was safe. Happily, the oaks were there, the hills, the creeks, the groves, the birds, the old dairy and horse ranches, the rock outcroppings, the open space inviting me to leap out of the personal into the embrace of the nonhuman world.”

“Once when I was in my late twenties, I drove to New Mexico with my friend Sophie, a fierce, talented, young black-haired green-eyed whirlwind who had not yet found her direction. We had no trouble convincing ourselves it was worthwhile to drive the two days each way to New Mexico because there was a darkroom there that she could use to print photographs for a project we had. In those days we were exploring what we wished to become, what the world might give us, and what we might give it, and so, though we did not know it, wandering was our real work anyway.”

“I had discovered the desert west a few years before with the force of one falling in love and had learned something of how to enter it and move through it…”

- Rebecca Solnit, The Faraway Nearby, p. 31-32

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