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Monday Morning Memo

Targeting Through Ad Copy

May 30, 2005

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https://podcasts.captivate.fm/media/729b629e-19c5-4c19-b24a-075ce40d7700/MMM050531-Target-Thru-Ad-Co.mp3

Targeting Through Ad Copy

For years, advertisers have attempted to target “the right customer” through carefully selected media vehicles. Mailing lists aimed at specific demographic, geographic and psychographic profiles have fallen short so often that a 3 percent conversion rate is considered a big success. Carefully selected TV shows and radio formats have failed to deliver equally as often. And now email opt-in lists are disappointing a whole new generation of advertisers.

Not surprisingly, it is media salespeople who are largely responsible for today's overemphasis on “reaching the right customer.” After all, if they told you the truth – that business reputations and advertising results are built on saying the right thing rather than reaching the right person – they would have no leverage to convince you that you need to reach exactly who they're trying to sell you.

In your next ad, try targeting through the content of your message rather than through demographic profiles.

There are four simple steps in creating a sharply targeted message:

1. Choose whom to lose. You can't really know who you're targeting until you can name who you're not targeting. Inclusion is tied to exclusion. The Law of Magnetism is that attraction can be no stronger than repulsion. In the following example, I'm choosing to lose bargain-hunters and posers. (Not that there's anything wrong with bargain hunters or posers. In another campaign, I might target them with great success.) When you're saying the right thing, you'll be surprised at how many people suddenly become “the customer you needed to reach.”

2. Gain their attention. If the reader/listener/viewer isn't with you, you're toast. We live in an over-communicated society whose attention has been fractured by too much media. So never assume that people will be paying attention to your ad. Assume instead that you must wrestle their thoughts away from powerful images and distractions that are tugging at their mind. “If the lowest price is all you're after, this isn't the camera for you.” That headline/opening statement attracts the quality conscious consumer to the same degree that it repels the bargain hunter. The only task remaining is for us to explain precisely why our camera is worth the premium price we ask.

3. Surprise them with your candor. Traditional hype and ad-speak make today's customer deaf and blind. They can smell hype and phony promises and they're turning away from them in greater numbers every day. So bluntly tell them the truth. Confess the negative or they won't believe the positive. “Another downside of this camera is that it's not the sleekest, prettiest one in its price class. No one is going to tell you how cool your camera looks. The upside is that it takes far superior pictures.”

4. Make it make sense. Believability is the key. Tell them how and why your product can deliver what it promises. “The prettiest camera in this price class has a shutter speed of 1/15th of a second. But the shutter speed of the ugly Canon PowerShot S500 is a superfast 1/60th of a second, allowing you to take fabulous photos in low-light situations. Your indoor photos will look rich and vibrant when all the others look dark and grainy. And your nighttime photos will make people's eyes bug out. Beautiful contrast and luminance, even without the flash. This camera can see in the dark. Take a picture of your lover in the moonlight. It will become your favorite photo ever. And that superfast shutter speed is also very forgiving of movement. That's why no one ever replaces their PowerShot S500. Go to your local pawnshop and see if you can find one. We're betting you can't. But you will see several of that “prettier” camera available cheaper than dirt. So if you're looking for a great price on a sleek-looking camera, that's probably where you should go.”

See what I mean about choosing whom to lose? Are you beginning to understand the power of candor?

I promise that targeting through copy works. But do you have the guts to do it?

Learn to target through candid copy and then you can have fun laughing at all the media reps who try to convince you that you've got to reach precisely the audience they're selling.

Roy H. Williams

PS – You weren't targeted in any way other than through the copy of the sample ad I wrote. But I'm betting you were impressed with the Canon Powershot S500, were you not?

PPS – VERY, VERY PROUD – My partners Jeff and Bryan Eisenberg became bestselling authors last week with the appearance of Call to Action on the Wall Street Journal, USA Today, and New York Times bestseller lists. This is the first bestseller ever published by Wizard Academy Press. Way to go, Eisenbrothers!

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Random Quote:

“A New York copywriter by the name of Robert Pirosh quit his well-paid job and headed for Hollywood in 1934, determined to begin the career of his dreams as a screenwriter. When he arrived, he gathered the names and addresses of as many directors, producers and studio executives as he could find and sent them what is surely one of the greatest, most effective cover letters ever to be written; a letter which secured him three interviews, one of which led to his job as a junior writer at MGM. Fifteen years later, Pirosh won an Oscar for best original screenplay for his work on the war film BATTLEGROUND. A few months after that, he also won a Golden Globe.

Dear Sir:

I like words. I like fat buttery words, such as ooze, turpitude, glutinous, toady. I like solemn, angular, creaky words, such as straitlaced, cantankerous, pecunious, valedictory. I like spurious, black-is-white words, such as mortician, liquidate, tonsorial, demi-monde. I like suave “v” words, such as Svengali, svelte, bravura, verve. I like crunchy, brittle, crackly words, such as splinter, grapple, jostle, crusty. I like sullen, crabbed, scowling words, such as skulk, glower, scabby, churl. I like Oh-Heavens, my-gracious, land’s-sake words, such as tricksy, tucker, genteel, horrid. I like elegant, flowery words, such as estivate, peregrinate, elysium, halcyon. I like wormy, squirmy, mealy words, such as crawl, blubber, squeal, drip. I like sniggly, chuckling words, such as cowlick, gurgle, bubble and burp.

I like the word screenwriter better than copywriter, so I decided to quit my job in a New York advertising agency and try my luck in Hollywood, but before taking the plunge I went to Europe for a year of study, contemplation and horsing around.

I have just returned and I still like words. May I have a few with you?

“

- Robert Pirosh, sent to us by Craig Arthur, our partner in Townsville, Australia

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