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The Monday Morning Memo

The Power of Myth: Downside and Up

August 8, 2016

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JFKandJackie_Beagle

Most people associate The Power of Myth with the 1988 PBS television series with Bill Moyers and Joseph Campbell, or with the accompanying book of that name. But it was John F. Kennedy who spoke of the power of myth with the greatest clarity and insight. The occasion was his 1962 Commencement Address to the graduates of Yale University.

As every past generation has had to disenthrall itself from an inheritance of truisms and stereotypes, so in our own time we must move on from the reassuring repetition of stale phrases to a new, difficult, but essential confrontation with reality. For the great enemy of the truth is very often not the lie—deliberate, contrived, and dishonest—but the myth—persistent, persuasive, and unrealistic. Too often we hold fast to the clichés of our forebears. We subject all facts to a prefabricated set of interpretations. We enjoy the comfort of opinion without the discomfort of thought.”

Erroneous preconceptions are the dangerous downside of myths.
But heroes are their dangerous upside.

Larger than life, highly exaggerated and always positioned in the most favorable light, a hero is a beautiful lie.

We have historic heroes, folk heroes and comic book heroes. We have heroes in books and songs and movies and sport. We have heroes of morality, leadership, kindness and excellence. And nothing is so devastating to our sense of wellbeing as a badly fallen hero. Yes, heroes are dangerous things to have.

The only thing more dangerous is not to have them.

Heroes raise the bar we jump and hold high the standards we live by. They are ever-present tattoos on our psyche, the embodiment of all we’re striving to be.

We create our heroes from our hopes and dreams. And then they attempt to create us in their own image.

The saying, “The sun never sets on the British Empire” was true as recently as 1937 when tiny England did, in fact, still have possessions in each of the world’s 24 time zones.

It’s widely known that the British explored, conquered and ruled much of the world for a number of years, but what isn’t widely known is what made them believe they could do it.

For the first 1000 years after Christ, Greece and Rome were the only nations telling stories of heroes and champions. England was just a dreary little island of rejects, castoffs and losers.

So who inspired tiny, foggy England to rise up and take over the world?

A simple Welsh monk named Geoffrey – hoping to instill in his countrymen a sense of pride – assembled a history of England that gave his people a grand and glorious pedigree. Published in 1136, Geoffrey’s “History of the Kings of Britain,” was a detailed, written account of the deeds of the English people for each of the 17 centuries prior to 689 AD… and not a single word of it was true. Yet in creating heroes like King Arthur, Guinevere, Merlyn and the Knights of the Round Table from the fabric of his imagination, Geoffrey of Monmouth convinced a sad little island of rejects, castoffs and losers to begin seeing themselves as a just and magnificent nation.

And not long after they began to see themselves that way in their minds, they began seeing themselves that way in the mirror.

Most people assume that stories of heroes are the byproducts of great civilizations, but I’m convinced they are the cause of them. Magnificent civilizations have always been the ones with stories of heroes; larger-than-life role models that inspired ordinary citizens to rise up and do the impossible.

I love imaginary heroes like King Arthur and Don Quixote.
I love civilian heroes like Mother Teresa and Martin Luther King.
I love political heroes like Abraham Lincoln and Teddy Roosevelt.

But what happens when your hero is a fool?

I pray we never find out.

Roy H. Williams

Cervantes_smallthumb
Will You Help a Beagle Out? Miguel de Cervantes wrote his hysterically funny Dialog of the Dogs in 1613 and it has almost faded from existence in the English language during the ensuing 403 years. Indy Beagle is leading the charge to bring Scipio and Berganza rollicking back to life in a new book featuring 22 different authors who have transliterated Cervantes’ story from Spanish into modern street-English 22 different ways! But it may not happen if a few more people don’t get on board and lend a helping hand. – RHW

NoahThumbPS – Noah St. John is a Wizard Academy grad who describes the self-limiting beliefs that prevent entrepreneurs from attaining their goals as “head trash.” For a growing tribe of business people nationwide, Noah is the garbage man – helping them purge their inner demons and adopt the habits that lead to sustainable success. Creator of the “6 Figure Business Machine,” a self-paced mentoring program, Noah reveals to roving reporter Rotbart his formula for elevating profitability in business and satisfaction in life. Interesting stuff, of course, because it’s what’s happening this week at MondayMorningRadio.com

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Random Quote:

“

Consider a novel which has survived for almost four centuries, and is still regarded as one of the great masterpieces of world fiction. I speak of Don Quixote, by Cervantes.

Its story is of the adventures of a gentleman whose wits have been turned by reading old books of romance and chivalry; he equips himself absurdly with miserable armour and an old and wretched horse, and he rides forth in search of adventures. Their story is not told with tidy literary art; it is a rambling and often coarse tale of the foolishness of a mad old man who is mocked, beaten, and humiliated until, on his deathbed, he understands the folly of his delusion.

The book is often read superficially. More often it is not read at all, by people who are nevertheless aware of it, because the story is familiar from stage, film, and operatic versions, and has given our language the word “quixotic,” meaning actuated by impracticable ideals of honour. But if we read the book carefully and sympathetically we find the secrets of its extraordinary power. It is the first example in popular literature of the profoundly religious theme of victory plucked from defeat, which has strong Christian implications. The Don, who is courteous and chivalrous toward those who ill-use him, and who is ready to help the distressed and attack tyranny or cruelty at whatever cost to himself, is manifestly a greater man than the dull-witted peasants and cruel nobles who torment and despise him. We love him because his folly is Christlike, and his victory is not of this world.

Is this what Cervantes meant? I cannot say, for I am not a Cervantist, but this is certainly what he wrote, and we know that such a book could not have been written except by a man of great spirit. This is the puzzle which has led some impetuous critics to assume that a writer is sometimes an idiot savant who writes better than he knows, and who, of course, needs critics to explain to him the world, and probably also himself.

The theme of victory plucked from defeat, and the folly which is greater than conventional wisdom, is at the root of many novels. One of the best and most enduring is Charles Dickens’s first success, The Pickwick Papers. When we first meet Mr. Pickwick he is an almost buffoonlike character, but when he is unjustly imprisoned his character deepens and he becomes aware of the misery and injustice which are part of the society in which he lives. By the end of the book Mr. Pickwick is a man of real worth. It is interesting and very important that Mr. Pickwick is dependent on his valet, Sam Weller, a streetwise youth who is to him what Sancho Panza is to Don Quixote; that is, an element of common sense and practical wisdom that is lacking in his master. When we think about it we see that the great virtues are exemplified in these four people: Don Quixote and Mr. Pickwick possess faith, hope charity, justice, and fortitude, but they need their servants to supply prudence and temperance. A character who possessed all the seven great virtues would never do as the hero of a novel; he would be perfect, and in consequence unsympathetic, for we are impatient and suspicious of human perfection. But when a hero who has most of the virtues is partnered by a helper and server who has what he lacks, great and magical fiction may result.

“

- Robertson Davies, The Merry Heart, p. 195-197

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