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The Monday Morning Memo

“I wanted to take her hand. I wanted to brush her cheek with my fingertips. I wanted to tell her that she was the first beautiful thing I had seen in three years. That the sight of her yawning to the back of her hand was enough to drive the breath from me. How I sometimes lost the sense of her words in the sweet fluting of her voice. I wanted to say that if she were with me then somehow nothing could ever be wrong for me again.”

“In that breathless second I almost asked her. I felt the question boiling up from my chest. I remember drawing a breath, then hesitating – what could I say? Come away with me? Stay with me? Come to the University? No. Sudden certainty tightened in my chest like a cold fist. What could I ask her? What could I offer? Nothing. Anything I said would sound foolish, a child’s fantasy.”

“I closed my mouth and looked across the water. Inches away, Denna did the same. I could feel the heat of her. She smelled like road dust, and honey, and the smell the air holds seconds before a heavy summer rain.”

“Neither of us spoke. I closed my eyes. The closeness of her was the sweetest, sharpest thing my life had ever known.”

– Patrick Rothfuss,
The Name of the Wind, p. 216-217

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Random Quote:

“One demands two things of a poem. Firstly, it must be a well-made verbal object that does honor to the language in which it is written. Secondly, it must say something significant about a reality common to us all, but perceived from a unique perspective. What the poet says has never been said before, but, once he has said it, his readers recognize its validity for themselves.”

- W. H. Auden (1907 - 1973)

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