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Monday Morning Memo

In the scene from Cool Hand Luke, [Below] Luke just found out that his mother died, so the tone of his performance is tender, soulful, sad—completely unlike the obnoxious and irreverent premiere performance in 1962, which was intended as a parody. Singer-songwriters Ed Rush and George Cromarty wrote the song in reaction to a Christian radio station in Del Rio, Texas. They recorded “Plastic Jesus” as part of a fake Christian radio broadcast, under the fake band name “The Goldcoast Singers” [also Below.] Ernie Marrs adapted the lyrics and tune in 1965. The song was adapted even further for Cool Hand Luke, and has since been covered by a few dozen artists, the most famous of which is probably Billy Idol. – Victoria Emily Jones

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Random Quote:

“You’re in an elevator, moving from one level to another.

Sometimes the elevator goes to a higher level.
Sometimes it goes to a lower one.
You won’t know until you get there.

You are in that aimless time between one chapter of your life and the next.
You are moving from a predictable past to an unpredictable future.
You are in that foreign place
between knowing who you are,
and then knowing again.

It’s that place between the person you were and the person you soon will be.

It is that space where you have no ambition beyond self-awareness,
no hunger other than to feel passion, no plan except to find a plan.

It can be a disorienting, disheartening limbo.

But have no fear. Sooner or later those elevator doors will open and you will embrace your future with the capable hands and arms you brought with you.

Marcus Aurelius wrote you a note nearly 2,000 years ago. It says, ‘Never let the future disturb you. You will meet it, if you have to, with the same weapons of reason which today arm you against the present.’

But 200 years before Marcus Aurelius, Seneca left you his recipe for happiness.

Here, let me read it to you.

‘True happiness,’ said Seneca, ‘is to enjoy the present without anxious dependence on the future.’

And Bobby McFerrin said ‘Amen.'”

- Roy H. Williams

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