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The Monday Morning Memo

You and I decide to wander around Cambridge in 1609, the year that George Herbert entered Trinity College and came to the attention of King James.

Indy Beagle, upon hearing of our journey, decides to go with us.

We wander first into The Eagle and the Child, a pub in Cambridge that William Shakespeare was known to haunt. The locals call it The Bird and Baby. It stands opposite the oldest building in Cambridgeshire, the Saxon church tower of St Bene’t’s church which dates from around 1025. A tavern has stood here since 1353, famous for selling beer “for three gallons a penny”.

I ask the bartender if he knows a young man by the name of George Herbert. Without looking up, he shakes his head “no.”

Behind me, I hear Indy say, “Can we buy you a pint?”

Shakespeare is sitting alone at a table scattered with ink-stained papers.

“Sit,” says Shakespeare, as he pours wine from a jug into three wooden cups. The cups slosh a little as he slides them across the table. He looks down at the papers. “This new play I am writing is shit.”

Indy leaned over and whispered in my ear, “Cymbeline.”

“It began as a tragedy but a comedy now emerges. Coming hard on the heels of Julius Caesar, Hamlet and King Lear, the audience won’t know what to think.” He takes the pile of papers off the table and drops them onto the floor beside him. Holding high the empty jug, he shouts, “We’ll have no more of this rancid red! My friends insist on the good Italian!”

The Italian red was definitely better; so good in fact that Indy and I do not remember leaving the pub.

Do you remember what happened?

Each week, we feature a new end-of-the-story written by a member of the Rabbit Hole Tribe. Today, Demara Morrow tells us what happened next.

The Italian Red was definitely better than whatever the House Red was (“vile piss but a far sight better than the beer” bemoans the great poet).

Will (as he insisted now that we were on our second or was it third bottle) was talking furiously about the difficulty with his new play, what he meant it to be, and definitely about what it was becoming now that his characters were running amok with his words and intents. His hands animated and quick to refill the emptying glasses before us.
 
Indy and I, loath to sway the passionate playwright to one plot change or another, merely nod and murmur appropriately, sipping from what feels like an endless glass of good wine and better company. 
 
Will intersperses conversations of plays and poems with politics when the subject of Signore Galilei’s new star viewing contraption comes up. Will vacillates between awe and jealousy of what Galileo is viewing of the sky and stars, hoping one day perhaps to own his own Galilian star viewer. He absentmindedly wonders what must be going on with this business in the Virginia colony and stumbles in a slurring manner across the witch trials so prominent in these times, bemoaning the evilness of witches, their appearance in Macbeth, and perhaps, he muses, the cause of his characters’ wanton disregard for order.
 
With the arrival of Kit Marlowe and his fellow School of Night companions to the pub, and George Chapman (not to be confused by the George Herbert we were originally searching) to the table, the drinks and rowdiness of the evening suddenly booms through the pub. Seeing as the gentlemen were most like to spend the rest of their evening here discussing great and lofty things, Indy and I excuse ourselves and stumble our way back to the present and attempt to grab just a few more winks, our heads full of the wonder of our visit and Will’s defiant characters. Indy and I agree perhaps we should visit again, but this time, perhaps less of a good Italian Red.
 

– Demara Morrow

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