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The Monday Morning Memo

“This sentence is made of lead (and a sentence of lead gives a reader an entirely different sensation from one made of magnesium). This sentence is made of yak wool. This sentence is made of sunlight and plums. This sentence is made of ice. This sentence is made from the blood of the poet. This sentence was made in Japan. This sentence glows in the dark. This sentence was born with a caul. This sentence has a crush on Norman Mailer. This sentence is a wino and doesn’t care who knows it. Like many italic sentences, this one has Mafia connections. This sentence is a double Cancer with a Pisces rising. This sentence lost its mind searching for the perfect paragraph. This sentence refuses to be diagrammed. This sentence ran off with an adverb clause. This sentence is 100 percent organic: it will not retain a facsimile of freshness like those sentences of Homer, Shakespeare, Goethe et al., which are loaded with preservatives. This sentence leaks. This sentence doesn’t look Jewish… This sentence has accepted Jesus Christ as its personal savior. This sentence once spit in a book reviewer’s eye. This sentence can do the funky chicken. This sentence has seen too much and forgotten too little. This sentence is called “Speedoo” but its real name is Mr. Earl. This sentence may be pregnant. This sentence suffered a split infinitive – and survived. If this sentence has been a snake you’d have bitten it. This sentence went to jail with Clifford Irving. This sentence went to Woodstock. And this little sentence went wee wee wee all the way home.”

– Tom Robbins

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Random Quote:

“In the kingdoms of England, the sound of the bells is already one of the customs of the afternoon, but the man, while still a boy, had seen the face of Woden, had seen holy dread and exultation, had seen the rude wooden idol weighed down with Roman coins and heavy vestments, seen the sacrifice of horses, dogs, and prisoners. Before dawn he would be dead and with him would die, never to return, the last firsthand images of the pagan rites. The world would be poorer when this Saxon was no more.

We may well be astonished by space-filling acts which come to an end when someone dies, and yet something, or an infinite number of things, die in each death—unless there is a universal memory, as the theosophists have conjectured. There was a day in time when the last eyes to see Christ were closed forever. The battle of Junín and the love of Helen died with the death of some one man. What will die with me when I die? What pathetic or frail form will the world lose? Perhaps the voice of Macedonio Fernandez, the image of a horse in the vacant space at Serrano and Charcas, a bar of sulfur in the drawer of a mahogany desk?”

- Jorge Luis Borges, The Witness

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