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Monday Morning Memo

.

I was once out strolling
one very hot summer’s day
When I thought I’d lay myself down to rest
in a big field of tall grass.

I laid there in the sun
and felt it caressing my face.
As I fell asleep and dreamed,
I dreamed I was in a Hollywood movie.

And I was the star of the movie!

This really blew my mind.
The fact that me, an overfed
long-haired leaping gnome
should be the star of a Hollywood movie.

But there I was.

I was taken to a place:
The Hall of the Mountain King.
I stood high upon a mountain top
Naked to the world
In front of
Every kind of girl.

There was long ones, tall ones, big ones, round ones
Black ones, brown ones, yeah.

Out of the middle came a lady.
She whispered in my ear
Something crazy.

She said… Spill the wine. Take that pearl.

I could feel hot flames of fire roaring up my back
as she disappeared, but soon she returned.
In her hand was a bottle of wine.
In the other, a glass.

She poured some of the wine
from the bottle into the glass
and raised it to her lips.
And just before she drank it, she said

Take the wine, take that pearl.

Songwriters: Morris Dickerson / Harold Brown / Charles Miller / Lee Levitin / Thomas Allen / Lonnie Jordan / Howard Scott
Spill the Wine lyrics © Far Out Music Inc.

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Random Quote:

“You have to write dialogue in a rhythmic way because human speech is rhythmic. If you listen to people having a conversation, what they’re doing is creating a rhythmic poetry. They’re filling in the pauses and capping each other’s speech in a way that is rhythmic. Shakespeare wrote in Iambic Pentameter because that’s the rhythm of everyday English speech. ‘I hate to see the evening sun go down,’ is iambic pentameter. ‘Oh, what a rogue and peasant slave am I!’ is iambic pentameter. ‘I’ll see you Sunday if it doesn’t rain,’ is iambic pentameter.”

“If you see a couple across the restaurant, you can’t hear what they’re saying, but you know what they’re talking about. Because you can tell from the rhythm, how they cap each other, how they come on top of each other, how they cut each other off. And so if you can write that, the actors know it and they love it, because it’s natural, because they don’t have to fight the current of a clunky line.”

- David Mamet, screenwriter

The Wizard Trilogy

The Wizard Trilogy

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