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The Monday Morning Memo


“M.I.T.’s Building 20, built in 1943, was widely regarded 
as one of the most creative spaces in the world. In the postwar
decades, scientists working there pioneered a stunning list of
breakthroughs, from the development of high-speed photography 
to the physics behind microwaves. The lesson of Building 20 is that
when the composition of the group is right — enough people with
different perspectives running into one another in unpredictable ways
— the group dynamic will take care of itself.”

– Jonah Lehrer’s remarkable refutation of “brainstorming”
    in GROUPTHINK, The New Yorker, Jan. 30, 2012
 

Smart people in “problem-solving” mode,
forced by circumstances to interact together,
bring out the best in each other just by
listening and asking questions.

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Random Quote:

“A film that immediately comes to mind is François Truffaut’s Shoot the Piano Player, which I watched alone at a private screening in 1963, having gone to review the movie for the Seattle Times. After leaving the theater, I did not — could not — speak for three whole days. The unexplained silence caused my baffled wife to flee, moving into a motel until I recovered my voice. Susan never understood and I’m unsure if I can explain it adequately even now, except to say that Truffaut’s daring artistry validated unexpectedly yet completely my nascent literary vision, giving me the confidence to bring it, in time, to fruition.

In one amazing scene, a young woman about whom Truffaut has led us to care deeply, is shot by gangsters who are hiding out on a French farm. It’s winter, and when the dear girl topples, her body goes gliding slowly, gracefully, on and on, down a long slope covered with snow. Our hearts are breaking over the girl’s death, yet the long, snowy scene (shot in black and white) is, from an aesthetic perspective, heartbreakingly beautiful. The audience is pulled in two directions at once…”

- Tom Robbins, Tibetan Peach Pie, p. 67

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